Yannick Nézet-Séguin

It was an unforgettable performance! Re-live it on Sunday, September 22, 2 to 4 pm as then Music Director-Designate Yannick Nezet-Seguin took the podium in March, 2011 to conduct The Philadelphia Orchestra, Westminster Symphonic Choir, and soloists Dorothea Roeschmann and Matthias Goerne in a critically acclaimed performance of Johannes Brahms's humanistic and glorious Ein Deutsches Requiem, A German Requiem - a symphonic as well as a choral masterpiece.

The program also features one of the pillars of the classical repertory: Mozart's Symphony No. 40. Gregg Whiteside is host and producer. 

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Intermission features:

Yannick talks about his deep personal connection to Brahms's choral masterpiece.

More information, including Program Notes, on The Philadelphia Orchestra website.

Program:

MOZART: Symphony No. 40

INTERMISSION

BRAHMS:  Ein Deutsches Requiem

Dorothea Röschmann, soprano

Matthias Goerne, baritone

Yannick Nezet-Seguin, conductor

Philadelphians don’t often envy their neighbors in the north. But it was hard not to, when Yannick Nezet- Seguin conducted his Orchestre Metropolitain de Montreal in an all-star concert performance of Wagner's Lohengrin at Festival Lanaudiere outside of Montreal on August 11th.

Even a significant diva cliffhanger didn't stop it, reports The Philadelphia Inquirer’s David Patrick Stearns.


Join us this Sunday at 2 pm for a very special treat. It's the Philadelphia Orchestra's May 24th LIVE broadcast of a concert tribute to the Orchestra’s former Music Director Wolfgang Sawallisch. This was the first live Philadelphia Orchestra broadcast in 13 years, and a memorable event it was, featuring a performance by violinist Gil Shaham of the Brahms Violin Concerto. Yannick Nézet-Séguin is on the podium.

This Sunday at 2 pm, Garrick Ohlssen is guest soloist as Yannick Nezet-Seguin conducts The Philadelphia Orchestra in a performance of the Brahms Piano Concerto No. 1, and two lush orchestral works by Richard Strauss, Death and Transfiguration and a suite from his opera Der Rosenkavalier.

During intermission, WRTI's Jim Cotter speaks with Garrick Ohlssen, and Susan Lewis sits down for a talk with The Philadelphia Orchestra's Associate Principal Concertmaster Juliette Kang.

His name is Yannick Nezet-Seguin, but in a New York Times profile, he was nicknamed Mighty Mouse by the opera star Joyce DiDonato. After all, he seems to have saved the day more than once for The Philadelphia Orchestra. And, as David Patrick Stearns reports, he hopes to continue to do so in the upcoming season.


Join us Sunday, July 7th at 2 pm, as Yannick Nézet-Séguin leads The Philadelphia Orchestra in a program from late January at Verizon Hall featuring two composers who actually met during the 1865 premiere of Tristan und Isolde, Richard Wagner and Anton Bruckner.

Join us to hear The Philadelphians in a live concert recording from October, 2012, featuring Bernstein’s Serenade, Brahms’s Symphony No. 4, and Gabriela Lena Frank’s Concertino Cusqueno. Yannick Nezet-Seguin conducts. Violinist Joshua Bell is soloist. Gregg Whiteside is producer and host. Sunday, June 30, 2 to 4 pm.

PROGRAM:

Gabriela Lena Frank - Concertino Cusqueño (world premiere)
Bernstein - Serenade (after Plato's Symposium)
INTERMISSION
Brahms - Symphony No. 4

Celebrated violinist Hilary Hahn returns to Philadelphia to perform Korngold's Violin Concerto.  The concerto was dedicated to Alma Mahler, the widow of Korngold's childhood mentor Gustav Mahler. It was premiered on February 15, 1947 by Jascha Heifetz.

Chris Lee

The Philadelphia Orchestra has wrapped up its first subscription season under the leadership of its eighth music director. WRTI’s Susan Lewis has more from Yannick Nezet-Seguin on the musical and non-musical achievements of the season. In September, Yannick will open the next season with Beethoven’s 9th Symphony - the start of a two-year cycle during which the orchestra will perform all of Beethoven’s symphonies. Information about subscriptions to the upcoming Philadelphia Orchestra season.

If the classical recording market is supposedly global, why is a major Yannick Nezet-Seguin recording available seemingly everywhere but here? The Philadelphia Inquirer’s David Patrick Stearns sent away to Japan for the conductor’s new Rotterdam Philharmonic recording - and wonders why.


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