Philadelphia Orchestra Music Director Yannick Nézet-Séguin speaks backstage with WRTI's Susan Lewis.
The vast canvas of an oratorio that begins with the turn from Winter to Spring, and progresses through Summer, Autumn, and Winter, The Seasons, by Joseph Haydn, expands this Sunday’s Philadelphia Orchestra in Concert broadcast to three hours.
Three years after the great success of his 1798 work The Creation, Joseph Haydn premiered another large oratorio, this time celebrating nature throughout the year. While not often performed today, The Seasons is still a tour de force with an enthusiastic following. WRTI’s Susan Lewis has more.
We'll be at Verizon Hall this Sunday at 2 pm bringing you a LIVE concert broadcast of The Philadelphia Orchestra, conducted by Yannick Nézet-Séguin, performing Bernstein’s Serenade—a musical retelling of Plato's ode to love—with soloist Hilary Hahn, the Orchestra’s 2017/18 artist-in-residence.
On the stage of China's National Centre for the Performing Arts in Beijing—just a few months ago—Yannick Nézet-Séguin stood before his Philadelphia Orchestra and spoke to an audience that included sponsors, patrons, musicians, diplomats, Chinese government officials and business leaders, as well as delegations from Philadelphia and the Commonwealth of Pennsylvania.
WRTI's Bliss Michelson speaks backstage with bass John Relyea.
This Sunday at 1 pm on WRTI, Yannick Nézet-Séguin indulges his passion for opera, as our Philadelphia Orchestra in Concert broadcast brings to the airwaves Béla Bartók’s searing one-act opera Bluebeard’s Castle, and selections from Tchaikovsky's ballet, Swan Lake.
Listen to WRTI's Susan Lewis and organist Peter Richard Conte talk about Brahms' Chorale Preludes.
Join us to hear conclusion of The Philadelphia Orchestra's chronological survey of Brahms’ magisterial four symphonies from last spring with a performance of his Symphony No. 4, on WRTI’s Philadelphia Orchestra in Concert broadcast from 1 to 3 pm on Sunday, September 24th.
Johannes Brahms' last work was composed for an instrument he’d not written for in decades, in a style that harkened back to J.S. Bach. WRTI’s Susan Lewis has more on Brahms' chorale preludes for organ.
Philadelphia Orchestra Principal Violist C.J. Chang talks backstage with WRTI's Susan Lewis.
It was in 1832 that the great virtuoso violinist Niccolò Paganini—also an extraordinary violist—became the proud new owner of a Stradivarius viola. Wanting to show it off, but frustrated by the lack of concertos featuring the instrument, he commissioned Hector Berlioz to write a work that would help him put his purchase on display.