Celebrated violinist Hilary Hahn returns to Philadelphia to perform Korngold's Violin Concerto. The concerto was dedicated to Alma Mahler, the widow of Korngold's childhood mentor Gustav Mahler. It was premiered on February 15, 1947 by Jascha Heifetz.
The Philadelphia Orchestra has wrapped up its first subscription season under the leadership of its eighth music director. WRTI’s Susan Lewis has more from Yannick Nezet-Seguin on the musical and non-musical achievements of the season. In September, Yannick will open the next season with Beethoven’s 9th Symphony - the start of a two-year cycle during which the orchestra will perform all of Beethoven’s symphonies. Information about subscriptions to the upcoming Philadelphia Orchestra season.
If the classical recording market is supposedly global, why is a major Yannick Nezet-Seguin recording available seemingly everywhere but here? The Philadelphia Inquirer’s David Patrick Stearns sent away to Japan for the conductor’s new Rotterdam Philharmonic recording - and wonders why.
Join us Sunday at 1 pm (one hour earlier than usual) as Garrick Ohlsson plays Brahms, and Yannick returns to the podium to conduct a performance of the Brahms Piano Concerto No. 1 and two lush orchestral works by Richard Strauss - Death and Transfiguration, and a suite from his opera, Der Rosenkavalier!
You're in a for a treat this Sunday, April 28th at 2 pm! That's when our Philadelphia Orchestra in Concert Broadcast will feature a first for the ensemble: It's the first time in the Orchestra's distinguished history that they performed the complete, uncut St. Matthew Passion, in two parts, with five soloists, the Westminster Symphonic Choir, and American Boychoir, all under the direction of Yannick Nezet-Seguin.
This exciting, historical first was performed at the end of March, during the Easter period.
Soprano Diana Damrau tackles Verdi’s eternal heroine for the first time anywhere in Willy Decker’s inspiring production. Plácido Domingo expands his repertoire to sing the baritone role of Germont, Violetta’s tormentor. Tenor Saimir Pirgu sings Alfredo, her naïve lover. Our very own Yannick Nézet-Séguin conducts! Saturday, March 30, *12:30 to 3:15 pm. (*Note early start time.)
It was an unforgettable performance! Re-live it on Sunday, March 31st, 2 to 4 pm as then Music Director-Designate Yannick Nezet-Seguin took the podium in March, 2011 to conduct The Philadelphia Orchestra, Westminster Symphonic Choir, and soloists Dorothea Roeschmann and Matthias Goerne in a critically acclaimed performance of Johannes Brahms's humanistic and glorious Ein Deutsches Requiem, A German Requiem - a symphonic as well as a choral masterpiece.
This week's broadcast, on Sunday, March 24, 2 to 4 pm, takes us back to November, 2011, when then-Music Director Designate Yannick Nezet-Seguin was appearing with greater frequency in Philadelphia, winning over the hearts of the Orchestra as well as Verizon Hall audiences.
One of the most memorable of these early concerts was the Italian-themed program scheduled for rebroadcast this Sunday - Tchaikovsky's Francesca da Rimini, followed by the ever-popular fourth symphony of Mendelssohn, and - following Intermission - Verdi's overture to his opera La Forza del Destino, one of his finest overtures, and Respighi's exciting orchestral showpiece The Pines of Rome, a long-time favorite of Philadelphia audiences.
Susan Lewis talks with Philadelphia Orchestra Organist Michael Stairs about how the Kimmel Center organ has changed the sound of his part in The Pines of Rome.
Intermission Features: As part of Women's History Month, Meridee Duddleston will take a closer look at The Philadelphia Orchestra's first female player, harpist Edna Phillips, the first woman to be appointed a principal player of any American orchestra. And afterward, Susan Lewis will speak with today's principal harpist, Elizabeth Hainen - one of the world's great ambassadors for the instrument.
**Audio for Intermission features will be added to this post on Monday morning.
The performances that you'll hear in this broadcast were widely admired, receiving high praise from critics and concert-goers alike. So don't miss this opportunity to re-live them, this Sunday, March 24th, from 2 to 4 pm.
Join us this Sunday as Yannick Nezet-Seguin conducts The Philadelphia Orchestra in a recorded program from late January at Verizon Hall that features two composers who were not only contemporaries, but who actually met during the premiere of Tristan und Isolde in 1865, Richard Wagner and Anton Bruckner.
On The Philadelphia Orchestra in Concert - a new weekly radio series on WRTI - Music Director Yannick Nezet-Seguin takes to the podium to conduct a symphony by one of the composers who is closest to him. WRTI’s Jim Cotter has more.