Yannick Nézet-Séguin

Vienna was a hotbed of musical evolution, and the second concert in the Philadelphia Orchestra’s three-part series of the Music of Vienna shows us how far the symphony traveled in that time. On Sunday, September 4th at 1 pm, Yannick Nézet-Séguin and the Philadelphians bring you two symphonies composed about 80 years apart: Joseph Haydn’s 103rd, the famous “Drumroll” Symphony, and Anton Bruckner’s 4th.

Interested in Steve Jobs, Georgia O'Keefe or Alice in Wonderland? They are all explored in new music in the upcoming American concert season.

The symphony, as we know it today, underwent major changes from the end of the 18th to the late 19th century. As WRTI’s Susan Lewis reports, two symphonies from two composers in Vienna during that time illustrate the range of the form.
 


Credit Mathias Botho

Join us to hear the first concert in The Philadelphia Orchestra’s "Music of Vienna" series, recorded live last January at Verizon Hall. Pianist Jan Lisiecki, an audience favorite at only 20 years old, will be the soloist in Beethoven’s Piano Concerto No. 4.

Mention the music of Vienna, and some of us automatically think of a waltz. But as WRTI’s Susan Lewis reports, the city was a musical magnet for composers, especially from the late 18th century through the 19th and beyond.


Michael Patrick O’Leary

Violinist Hilary Hahn performs the fourth violin concerto of the Belgian composer and violinist Henri Vieuxtemps on The Philadelphia Orchestra in Concert re-broadcast, Sunday, August 21st at 1 pm. This concerto is a favorite of Ms. Hahn’s; Vieuxtemps composed it while he was serving as violinist to Tsar Nicholas I in St. Petersburg.


An emotionally charged new work commissioned exclusively by The Philadelphia Orchestra, and given its World Premiere last November by the Philadelphians, will be re-broadcast in its entirety on WRTI’s Philadelphia Orchestra in Concert broadcast on Sunday, August 7th at 1 pm. Yannick Nézet-Séguin conducts.

Join us on Sunday from 1 to 3 pm for The Philadelphia Orchestra in Concert. This week, you'll hear a re-broadcast of a performance of Bela Bartok’s Violin Concerto No. 2, infused with the dance rhythms of Hungarian folklore, and played by the multi award-winning violinist Gil Shaham.


Yannick Nézet-Séguin is now years into his series of Mozart opera recordings for Deutsche Grammophon, the latest being The Marriage of Figaro. But with so many recordings already on the market, The Philadelphia Inquirer's David Patrick Stearns asks what place can this one claim.



Finnish composer Jean Sibelius (1865-1957) was so revered in his homeland that the government commissioned him to write a symphony as part of a national celebration of his 50th birthday. WRTI’s Susan Lewis has more on what has become one of the composer’s most famous works.


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