Yannick Nézet-Séguin

Join us for re-broadcasts of the Philadelphia Orchestra’s 2016-17 season with Yannick Nézet-Séguin on the podium for his fifth year as music director of the Orchestra. WRTI  presents, for the second time if you missed them the first time around, nearly all  of the  subscription concerts beginning Sunday, July 16th.

Jan Regan/Philadelphia Orchestra

On the stage of China's National Centre for the Performing Arts in Beijing—just a month ago—Yannick Nézet-Séguin, stood before his Philadelphia Orchestra and spoke to an audience that included sponsors, patrons, musicians, diplomats, Chinese government officials and business leaders, as well as delegations from Philadelphia and the Commonwealth of Pennsylvania.

Join us for a re-broadcast of a Philadelphia Orchestra concert from 2016 that brings us two Philadelphia Orchestra commissions—Maurice Wright’s Resounding Drums, a timpani concerto composed for the Orchestra’s principal timpanist Don Liuzzi, and the Clarinet Concerto by Jonathan Leshnoff, composed for the principal clarinetist of the Philadelphians, Ricardo Morales.

Special rebroadcast! The Philadelphia Orchestra, in Asia this week, has been doing quite of bit of traveling on its own, and on Monday, June 5th at 7 pm on HD-2 and WRTI.org, WRTI will turn back the clock and rebroadcast this Vienna Festival concert, previously aired on March 20th of last year. It was a memorable performance, conducted by Yannick Nézet-Séguin, of two symphonies composed roughly 80 years apart: Joseph Haydn’s 103rd, the famous “Drumroll” Symphony, and Anton Bruckner’s 4th.

The symphony, as we know it today, underwent major changes from the end of the 18th to the late 19th century. As WRTI’s Susan Lewis reports, two symphonies from two composers in Vienna during that time illustrate the range of the form.
 


Hans van der Woerd

Hello Radio Friends! If you were unable to get a ticket for any of the sold-out Philadelphia Orchestra performances this past weekend of Mahler's Third Symphony, or to hear our live broadcast of yesterday's final concert, I strongly encourage you to listen to the re-broadcast tonight at 7 pm on WRTI HD-2, on the fabulous WRTI Mobile App, or our classical web stream at wrti.org.

This Sunday, April 30th on WRTI, Yannick Nézet-Séguin indulges his passion for opera, as our Philadelphia Orchestra in Concert broadcast brings to the airwaves Béla Bartók’s searing one-act opera Bluebeard’s Castle, and selections from Tchaikovsky's ballet, Swan Lake.

Credit: Jonathan Tichler/Metropolitan Opera, 2017

Yannick Nézet-Séguin has been entering the Metropolitan Opera through the backstage artists' entrance for years, though now it’s different: He’s now among those who run the place. The Philadelphia Inquirer’s David Patrick Stearns met him there prior to his April to May run of Wagner’s Flying Dutchman.

Rachmaninoff's Piano Concerto No. 4 is not very well known in America. But it has a strong connection with the Philadelphia Orchestra, which continues to mine the richness of the work. WRTI’s Susan Lewis has more.


This Sunday at 1 pm, it’s a memorable re-broadcast from 2014 of the fast-paced, one-act opera Salome. Among the most important musical works of the 20th century, it stands out for its revolutionary use of a large-scale orchestra and virtuosic singers, as much as for its graphic depiction of this deeply psychological tale. It's performed in a historic, joint production by the Philadelphia Orchestra and Opera Philadelphia.

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