Yannick Nézet-Séguin

The Grammy Awards were handed out Sunday at Madison Square Garden, and Philadelphia artists cleaned up! Here’s a rundown of this year’s best recordings in classical music, jazz, and more. 

Join us for a fabulous concert broadcast from the Philadelphia Orchestra’s 2015 St. Petersburg Festival, celebrating the great master of the third generation, Dmitri Shostakovich. Sunday, January 28th at 1 pm on WRTI 90.1, and Monday, January 29th at 7 pm on WRTI HD-2.

Henning Ross / Sony Classical

The vast canvas of an oratorio that begins with the turn from Winter to Spring, and progresses through Summer, Autumn, and Winter, The Seasons, by Joseph Haydn, expands this Sunday’s Philadelphia Orchestra in Concert broadcast to three hours.

Three years after the great success of his 1798 work The Creation, Joseph Haydn premiered another large oratorio, this time celebrating nature throughout the year. While not often performed today, The Seasons is still a tour de force with an enthusiastic following. WRTI’s Susan Lewis has more.

The Philadelphia Orchestra in Concert broadcast for Sunday, December 31st brings us music by two composers born almost 150 years apart, and both of whose music expresses profound religious faith.

History has painted composer Anton Bruckner as a simple man who gave the world complex and innovative symphonies. WRTI’s Susan Lewis has more on Bruckner’s 8th, which premiered in December of 1892.

We'll be at Verizon Hall this Sunday at 2 pm bringing you a LIVE concert broadcast of The Philadelphia Orchestra, conducted by Yannick Nézet-Séguin, performing Bernstein’s Serenade—a musical retelling of Plato's ode to love—with soloist Hilary Hahn, the Orchestra’s 2017/18 artist-in-residence.

Chris Lee/Philadelphia Orchestra

Join us on Sunday, November 19th at 1 pm as we launch the 2017/2018 Philadelphia Orchestra In Concert broadcast season on WRTI 90.1 with music by Mozart, Tchaikovsky, and the East Coast premiere of an organ work by the Texan Wayne Oquin, conducted by Yannick Nézet-Séguin.

In correspondence with a patron, Tchaikovsky confessed he was grappling with the idea of fate in his Symphony No. 4. As WRTI’s Susan Lewis reports, the composer tried to make sense of his world with music that still resonates today. Listen to her conversation with Philadelphia Orchestra Music Director Yannick Nézet-Séguin.

Jan Regan/Philadelphia Orchestra

On the stage of China's National Centre for the Performing Arts in Beijing—just a few months ago—Yannick Nézet-Séguin stood before his Philadelphia Orchestra and spoke to an audience that included sponsors, patrons, musicians, diplomats, Chinese government officials and business leaders, as well as delegations from Philadelphia and the Commonwealth of Pennsylvania.

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