Yannick Nézet-Séguin

Ken Howard

Join us on Saturday, April 11th for our weekly broadcast of the Metropolitan Opera - live from Lincoln Center. This week, it's Verdi's DON CARLO, with Yannick Nezet-Seguin on the podium.

Ferruccio Furlanetto first sang Philip with the Met in 2005, and then again in 2010 and 2013, and has portrayed the tormented monarch around the world. His other recent roles at the Met have included Silva in Verdi’s Ernani, and Jacopo Fiesco in Simon Boccanegra, which he will reprise at the Met next season.

Join us on Sunday, March 29 at 1 pm for a broadcast from the final week of The Philadelphia Orchestra’s recent St. Petersburg Festival, celebrating the great master of the third generation, Dmitri Shostakovich.

One of the most loved and exciting works in the orchestral repertoire is The Planets by Gustav Holst. But, as WRTI’s Kile Smith reports, the way we hear it now is not the form in which audiences first heard it.

For such an immediately successful work, and for one that is central to the orchestral repertoire, The Planets by Gustav Holst took a long time to get off the ground.

We have quite a broadcast in store for you on Sunday, March 15th, at 1 pm!  The Philadelphia Orchestra In Concert will feature Week Two of the ensemble’s St. Petersburg Festival, from late January of this year. Yannick Nezet-Seguin conducts.

Sim Canetty-Clarke

A contemporary concerto by English composer Mark-Anthony Turnage explores the vast range of musical ideas a piano can express. WRTI’s Susan Lewis spoke with pianist Marc-Andre Hamelin, the soloist who premiered it, and who performs it again on Sunday, March 15th at 1 pm on WRTI’s Philadelphia Orchestra in Concert broadcast. Yannick Nezet-Seguin conducts. Also on the program is music by Rachmaninoff. 

Radio script:

At Crossover, we're lucky that so many great guests are willing to return to speak with us - and you! Montenegrin guitarist Miloš Karadaglić is one of them.

This Sunday, March 8, it's the Philadelphia Orchestra's St. Petersburg Festival, Week One concert from this past January, conducted by Yannick Nezet-Seguin. And it features no fewer than three 40/40 works: “Winter,” from A. Glazunov’s The Seasons, and two of five movements from Tchaikovsky’s The Nutcracker, all coming in the first half of the program. After intermission, you'll hear a work the Orchestra will take on its European tour, Tchaikovsky’s spectacular Symphony No. 5.
 

The Philadelphia Orchestra is hardly settling into a routine in its fourth season with Yannick Nezet-Seguin. Plans for 2015-2016 announced this week have the conductor going well beyond typical classical subscription concerts, plus engineering guest appearances that are bound to make national news. The Philadelphia Inquirer's David Patrick Stearns reports.

Radio Script:

While printed programs at classical music concerts are commonplace, The Philadelphia Orchestra continues to explore the use of mobile technology developed by Drexel University to inform the listening experience during the performance. As WRTI’s Susan Lewis reports, the LiveNote App will be used in three upcoming concerts.

This Sunday at 1 pm, it’s the fast-paced, one-act opera Salome, among the most important musical works of the 20th century, standing out for its revolutionary use of a large-scale orchestra and virtuosic singers, as much as for its graphic depiction of this deeply psychological tale, performed in a historic, joint production by The Philadelphia Orchestra and Opera Philadelphia. It was the Orchestra’s last concert this past May, just before they departed on their China Tour.

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