Yannick Nézet-Séguin

Join us this Sunday for a re-broadcast of a Philadelphia Orchestra concert from last April, that brings us two Philadelphia Orchestra commissions – Maurice Wright’s Resounding Drums, a timpani concerto composed for the Orchestra’s principal timpanist, Don Liuzzi, and the Clarinet Concerto by Jonathan Leshnoff, composed for the principal clarinetist of the Philadelphians, Ricardo Morales.

All three of the works on this Sunday’s Philadelphia Orchestra in Concert re-broadcast were composed in Paris within a five-year period (1928-33), one by a German, another by a Frenchman, and the last by an American. And they all marvelously combine elements of serious composition with popular influences, notably from jazz.

This week’s Philadelphia Orchestra in Concert re-broadcast brings us a performance from early March, which saw the return to Philadelphia of pianist Hélène Grimaud, who performs a concerto close to her heart, the Brahms Piano Concerto No. 2

Credit: Jessica Griffin/Philadelphia Orchestra

His Excellency President Elbegdorj — the leader of the growing democracy situated between China and Russia — spent last Friday, September 23rd in Philadelphia, following the conclusion of his work at the United Nations General Assembly in New York. 

Three richly orchestrated works on this Sunday’s Philadelphia Orchestra in Concert re-broadcast complete the series of concerts from last January celebrating the music of Vienna.

Vienna was a hotbed of musical evolution, and the second concert in the Philadelphia Orchestra’s three-part series of the Music of Vienna shows us how far the symphony traveled in that time. On Sunday, September 4th at 1 pm, Yannick Nézet-Séguin and the Philadelphians bring you two symphonies composed about 80 years apart: Joseph Haydn’s 103rd, the famous “Drumroll” Symphony, and Anton Bruckner’s 4th.

Interested in Steve Jobs, Georgia O'Keefe or Alice in Wonderland? They are all explored in new music in the upcoming American concert season.

The symphony, as we know it today, underwent major changes from the end of the 18th to the late 19th century. As WRTI’s Susan Lewis reports, two symphonies from two composers in Vienna during that time illustrate the range of the form.

Credit Mathias Botho

Join us to hear the first concert in The Philadelphia Orchestra’s "Music of Vienna" series, recorded live last January at Verizon Hall. Pianist Jan Lisiecki, an audience favorite at only 20 years old, will be the soloist in Beethoven’s Piano Concerto No. 4.

Mention the music of Vienna, and some of us automatically think of a waltz. But as WRTI’s Susan Lewis reports, the city was a musical magnet for composers, especially from the late 18th century through the 19th and beyond.