Three of the 20th century's greatest musicians all died on October 17, 1944 - and all at the hands of the Nazis. Czech composers Viktor Ullmann, Pavel Haas, and Hans Krasa all perished at Auschwitz (see videos of their music below); they were all taken there just three days after their final concert together on October 14, 1944 at the Theresienstadt concentration camp.
Join us this Sunday, October 19th at 1 pm to hear the first concert from last April's Philadelphia Orchestra Mozart Celebration, which brings us three Mozart masterpieces! With Yannick on the podium, the Orchestra will play an overture to one of Mozart's three operas set to a libretto by Lorenzo Da Ponte, Cosi fan Tutte, and then continue with the Piano Concerto No.
What a program! It's a re-broadcast of The Philadelphia Orchestra in Concert on WRTI, Sunday, October 12th at 1 pm. The Fred J. Cooper Memorial Organ and organist Michael Stairs are two of the biggest stars in a firmament of many! Philadelphia Orchestra Music Director Yannick Nézet-Séguin had to withdraw from this performance in March, but it brought conductor Alain Altinoglu to Verizon Hall at Yannick’s recommendation, and was he ever in his element!
The San Francisco Opera presents a world premiere! Desperate. Passionate. Trapped. Dolores Claiborne is willing to do whatever it takes to save herself and her daughter—even if that means taking a life. One of the most compelling characters to emerge from the imagination of Stephen King, the feisty Maine housekeeper is a natural fit for opera—and specifically for the dark theatricality of American composer Tobias Picker.
Violetta Valéry may be the most heart-wrenching character in all of opera: a high-spirited but deceptively delicate woman who unexpectedly finds, and then selflessly gives up, the love of her all-too-short life in Giuseppe Verdi's LA TRAVIATA.Saturday, October 4, 1 to 4 pm on WRTI.
On Discoveries from the Fleisher Collection, Saturday, Oct. 4th, 5 to 6 pm. Every generation comes up with new ways to perform Johann Sebastian Bach. This tells us two things. One: Performance practice is as vital and relevant as ever. Rather than imagining forgotten professors paging through dusty tomes, we might envision performers kicking up dust with brilliant concerts of so-old-it’s-new repertoire.
Join us Sunday, October 5th at 3:30 pm for The Crossingchamber choir's third and final concert in their Sixth Annual Month of Moderns Festival, recorded live at The Icebox at Crane Arts Center in the Northern Liberties section of Philadelphia.
Johannes Moser speaks with WRTI's Susan Lewis during intermission.
Yannick speaks with WRTI's Jim Cotter about the program.
Yannick Nezet-Seguin leads the Philadelphia Orchestra at Verizon Hall in a program culminating in Beethoven's monumental Symphony No. 3, "Eroica," originally intended as a grand and heroic tribute to Napoleon. Upon learning, however, that Napoleon had crowned himself Emperor of all Europe, Beethoven scratched out the dedication with such vigor that he tore through the paper. This is music that succeeds in creating a new architecture for the symphonic form, and it supplied ignition for the Romantic style in music.
Also on the program, Richard Strauss's Metamorphosen for 23 solo strings, which opens with a haunting rhythm clearly quoting the funeral march of Beethoven’s "Eroica." The intensity and pathos is that of a mature composer, nearing the end of his career, who has witnessed the World War II destruction of Europe, and stands in stark contrast to compositions of the younger Strauss we've heard in earlier broadcasts this season.
Filling out the program is Shostakovich’s Cello Concerto No. 1, written for the great cellist Mstislav Rostropovich and given its U.S. premiere (and first recording) by him with The Philadelphia Orchestra and Eugene Ormandy in 1959. Our soloist is German-Canadian cellist Johannes Moser, a young virtuoso who will perform this fiendish concerto, which, like the 10th and 11th symphonies heard elsewhere in the 2013/2014 season, was written following the death of Stalin, and marks a return to greater creative freedom for Shostakovich.
Here's Johannes Moser performing in 2011. During intermission, WRTI's Susan Lewis will speak with the young cellist.