Dirk Brossé is joined by three acclaimed organists on this month's broadcast by The Chamber Orchestra of Philadelphia. Matthew Glandorf, Alan Morrison, and Jeffrey Brillhart join the ensemble for works by Joseph Jongen, Josef Rheinberger, and Maestro Brossé. That's this Sunday, Feb. 16, 5 to 6 pm on WRTI. Join us!
Joseph Jongen: Hymne, Op. 78 (1924) - Matthew Glandorf, organ
Yannick speaks with WRTI's Jim Cotter about the program.
Sunday, February 23rd at 2 pm, Yannick Nezet-Seguin leads the Philadelphia Orchestra LIVE from Verizon Hall on WRTI, in a program culminating in Beethoven's monumental Symphony No. 3, “Eroica,” originally intended as a grand and heroic tribute to Napoleon. Upon learning, however, that Napoleon had crowned himself Emperor of all Europe, Beethoven scratched out the dedication with such vigor that he tore through the paper. This is music that succeeds in creating a new architecture for the symphonic form, and it supplied ignition for the Romantic style in music.
Also on the program, Richard Strauss's Metamorphosen for 23 solo strings, which opens with a haunting rhythm clearly quoting the funeral march of Beethoven’s “Eroica.” The intensity and pathos is that of a mature composer, nearing the end of his career, who has witnessed the World War II destruction of Europe, and stands in stark contrast to compositions of the younger Strauss we've heard in earlier broadcasts this season.
Filling out the program is Shostakovich’s Cello Concerto No. 1, written for the great cellist Mstislav Rostropovich and given its U.S. premiere (and first recording) by him with The Philadelphia Orchestra and Eugene Ormandy in 1959. Our soloist is German-Canadian cellist Johannes Moser, a young virtuoso, who is graciously filling in for cellist Truls Mork. Mork has withdrawn from his appearances with the Philadelphia Orchestra on February 20 - 23 because of a skiing accident. (He is expected to make a full recovery!) Moser will perform this fiendish concerto, which, like the 10th and 11th symphonies heard elsewhere in the season, was written following the death of Stalin, and marks a return to greater creative freedom for Shostakovich.
Here's Johannes Moser performing in 2011. During intermission, WRTI's Susan Lewis will speak with the young cellist, who made his Carnegie Hall debut with the Philadelphians on Friday night.
If you think about it, jazz songs are some of the most romantic in existence. From the standards of the Great American Songbook, to steamy bossa nova songs, and on to the classic and contemporary ballads of love, the language of devotion has been whispered through your speakers since you started listening to this great art form.
Love has inspired composers through the centuries, with the tragic story of Romeo and Juliet probably the most popular. Tchaikovsky, Prokofiev, Gounod, Berlioz, and Kabalevsky all wrote rchestral works, ballets and, operas based on that story, not to mention Nino Rota's film score.
Even Leonard Bernstein’s West Side Story was inspired by the doomed lovers.
WRTI will sample all of them on Valentine’s Day…and bring you other musical love scores, from Ravel’s Daphnis and Chloe, to Gershwin’s Porgy and Bess, and Wagner's Tristan and Isolde.
This Sunday at 1 pm, it's a Philadelphia Orchestra in Concert archival broadcast celebrating the legacy of the Orchestra’s late conductor laureate, Wolfgang Sawallisch, and featuring Norwegian cellist Truls Mork.
The great Renée Flemingreturns to one of her signature roles, singing the enchanting “Song to the Moon” in Dvorák’s soulful fairy-tale opera. Tenor Piotr Beczala co-stars as the Prince, Dolora Zajick is Ježibaba, and our very own Philadelphia Orchestra maestro Yannick Nézet-Séguin is on the podium. Saturday, February 8, 1 to 5 pm on WRTI.
This week, the Metropolitan Opera presents MADAMA BUTTERFLY, Giacomo Puccini's heartbreaking tale, in three acts, of innocence, betrayal, and sacrifice. Amanda Echalaz makes her Met debut as Cio-Cio-San. Rising tenor Bryan Hymel sings Pinkerton. Philippe Auguin conducts.
The original version of the opera, in two acts, had its premiere on February 17, 1904 at La Scala in Milan.
Madama Butterfly is a co-production of the Metropolitan Opera, English National Opera, and the Lithuanian National Opera. Saturday, February 1, 1 to 4:15 pm.