Robert Frost's famous poem "The Road Not Taken" begins with the line: "Two roads diverged in a yellow wood." Frost's traveler must choose between them. But slide that metaphor over to the world of classical music and you will discover hundreds of paths to explore.
A group of musicians and major donors pose with Lionel Hampton's vibraphone at the 2013 Jazz Appreciation Month launch. From left: Mark Dibner of The Argus Fund, drummer Horacio "El Negro" Hernandez, Fran Morris Rosman of the Ella Fitzgerald Charitable Foundation, pianist Randy Weston, Richard Rosman of the Ella Fitzgerald foundation and Smithsonian American History Museum Director John Gray.
The 12th official Jazz Appreciation Month began when April did. But today, the Smithsonian Museum of American History, which founded the JAM campaign, kick started its own celebration with a series of performances, discussions and ceremonies.
Minnesota-born composer Maria Schneider has called New York home for more than 30 years, and she knows how to find nature in the middle of the city. Because her new album is called Winter Morning Walks, we walked to her favorite bird-watching spot in Central Park on a chilly February morning.
Originally published on Tue March 26, 2013 7:04 am
Tonight marks the first night of Passover, the commemoration of the Jews' liberation from slavery. Like millions around the world, I'll be sitting down to Seder to celebrate, in my case with a completely religiously and culturally mixed-up mishpocheh. I'm not Jewish, but Passover is one of my favorite nights of the year. With all of its rituals, this holiday takes eating mindfully to a whole new and incredible level, with every foodstuff, prayer and movement geared towards revisiting and renewing the ancient story of bitterness and then emancipation.
The world often feels full of fading traditions, from drive-in movie theaters to the dying art of good old-fashioned letter writing.
For the British, add brass bands to that list. Traditional brass bands have played an important cultural role in working-class British communities for centuries. But some warn that without funding, they could become a thing of the past.
Take the Grimethorpe Colliery Band in South Yorkshire. The band was originally formed in 1917, and nearly 100 years later, a group of tuba, euphonium and other horn players still bears the band's name.