When an opera company is in the midst of contentious labor negotiations, the results can be dramatic. This week, the war of words between unions and management at New York's Metropolitan Opera, the world's largest opera company, escalated. An Aug. 1 shut down now seems likely.
At the center of the debate is the ballooning Met budget, which stood at $200 million in 2006 but has since climbed to more than $325 million. Met General Manager Peter Gelb asserts that union salaries and benefits are his biggest costs, accounting for two-thirds of the operating budget.
Originally published on Fri August 1, 2014 8:57 am
The last time Fred Hersch was featured on Weekend Edition Saturday, the headline read, "Back On Stage By No Small Miracle." It was 2009, and scarcely a year earlier, the jazz pianist had suffered AIDS-related dementia and fallen into a coma for several months. Since recovering, Hersch has come roaring back to music, releasing a string of live albums to critical success.
Melissa Aldana, who became the first female instrumentalist and first South American musician to win the Thelonious Monk International Jazz Saxophone Competition last fall, is not the average talent-contest winner.
Carlo Bergonzi endures. Not only is the Italian tenor approaching his 90th birthday (on July 13) but for decades he sang with tireless warmth and precision, representing a certain old school approach to carefully cultivating one's vocal resources.
Richard Reed Parry is famous for making music sound big. As a core member of Arcade Fire, the Grammy-winning indie rock group from Montreal, he wields multiple instruments to help create deep, layered textures in which strings and synthesizers, slow ballads and disco dance tracks are all at home.
Conductor Julius Rudel, a defining figure in 20th-century opera production, died early Thursday morning. He was 93, and died at his New York home of natural causes, according to his son Anthony Rudel, station manager of Boston classical music broadcaster WCRB. WCRB is part of WGBH and an NPR member station.
The vibraphone is a special instrument. That spooky, smoky, sparkling sound — there's nothing like it. And there's nothing like hearing the vibes played by Bobby Hutcherson.
Hutcherson has covered a lot of ground on his instrument. In the 1950s he was already playing professional gigs, as a teenager. In the '60s, he was a leading light of jazz's avant garde, breaking new ground on some of the most revered LPs issued by Blue Note Records.