New York's Metropolitan Opera is gearing up to launch Wagner's complete Ring cycle, but just how "revolutionary" is the $16 million, 45-ton production? New York Times' Anthony Tommasini talks with Met GM Peter Gelb about the embattled Robert Le Page production, a conversation Parterre Box views as "damage control" on Gelb's part.
An amazing new documentary film is a must-see not just for music lovers, but for anyone who needs to see the nourishing power of the arts and human connections.
Kinshasa Symphony takes us into the everyday lives of the members of a most unlikely ensemble: the Orchestre Symphonique Kimbanguiste, located in the capital of the Democratic Republic of Congo, a place ravaged by war, endemic poverty and corruption.
Originally published on Fri August 2, 2013 10:23 am
Born in Arkansas in 1887, Florence B. Price (née Smith) moved to Boston at age 14 where she enrolled in the New England Conservatory of Music, studying with Frederick Converse and privately with George Chadwick. After graduating in 1906, she returned to Arkansas and held several teaching positions until 1927 when her family moved to Chicago.
Continuing her composition studies there, she would go on to write some 300 works and become the first black woman in the U.S. to be recognized as a symphonic composer. The two works on this new album testify to her art.