Very Young Composer Milo Poniewozik at the New York Philharmonic's School Day Concerts, where his piece was performed in front of more than 2,000 kids.
Credit Michael DiVito / New York Philharmonic
Very Young Composer Milo Poniewozik joins assistant conductor Joshua Weilerstein at the head of the New York Philharmonic. As part of the orchestra's School Day Concerts, Milo's piece was performed in front of more than 2,000 kids.
What would it be like if you were 10 years old and composed a piece of music that was played by the New York Philharmonic? For a few New York City school kids, including one fifth-grader, it's a dream come true, thanks to the orchestra's Very Young Composers program.
Composer Jon Deak, who played bass with the New York Philharmonic for more than 40 years, says the idea for Very Young Composers came when he and conductor Marin Alsop visited an elementary school in Brooklyn several years ago.
Originally published on Tue September 18, 2012 4:52 pm
German baritone Dietrich Fischer-Dieskau, who died earlier this month at age 86, was a paragon of excellence for generations of singers and fans. After his passing, we called American baritone Thomas Hampson for his memories of Fischer-Dieskau, whom he has called "a Singer for the ages, an Artist for eternity."
If you said the Canadian Brass represented the "gold standard" among brass quintets, you'd be right on the mark. Aside from performing on 24K gold-plated instruments, the group, led by its avuncular tuba master (and sole original member) Chuck Daellenbach, essentially put the idea of the brass quintet on the map.
Originally published on Tue September 18, 2012 6:02 pm
From the first downbeat of the first Center City Jazz Festival in Philadelphia, you could hear history in the air — and maybe history being made.
The Wade Dean Enspiration, a gutsy young quintet, led off the festival with "Gingerbread Boy" by Jimmy Heath, one of Philly's many homegrown jazz legends. It was 1 p.m. last Saturday, and the dim carpeted room upstairs at Fergie's Pub was starting to fill up.
Although it always seems fashionable to forecast the downfall of classical music, enterprising musicians both young and not so young continue to make deeply satisfying recordings. For this visit to weekends on All Things Considered, I was delighted to uncover the little known (at least in this country) Jorge Luis Prats, a terrifically talented Cuban pianist whose once uncertain career appears to be resurging — at 55, he has signed a handsome record deal. Then there's The Knights, a young chamber orchestra with a postmodern take on Schubert.