The late Stephane Grappelli is perhaps the best-known jazz violinist in history. His collaborations with guitarist Django Reinhardt have influenced countless musicians. A comparison to Grappelli is one of the highest honors a young, rising violinist can receive.
In the western suburbs of Paris 150 years ago today, a boy was born to an unassuming couple, proprietors of a china shop who had no great taste for music. But that little boy felt otherwise, and grew up to write music of bold color, timbre and harmonic daring.
Claude Debussy ignored the old rules about how to write music and in the process created a brave new world of sonic possibilities.
More than half a century ago this week, on Aug. 12, 1958, some of the greatest jazz musicians of the day assembled in Harlem at what was, for them, the ungodly hour of 10 a.m. Fifty-seven players came to East 126th Street to have their picture taken for Esquire magazine.