A new book, a new recording and some old instruments, all addressing the most memorable phrase in music: the opening of Beethoven's Fifth Symphony.
Matthew Guerrieri has written a book about this symphony, called The First Four Notes: Beethoven's Fifth and the Human Imagination. Guerrieri writes about how Beethoven's piece resonated with everyone from revolutionaries to Romantics, and German nationalists to anti-German resistance fighters.
Originally published on Fri November 16, 2012 11:30 am
William Basinski has lived on both American coasts, but I know a Southern gentleman when I hear one. The ambient music composer, who grew up in Texas, is on vacation visiting the Celeste ranch of his partner James Elaine's family when I call him — "I just fed the horses apples," he mentions — and is just as sweet as I'd heard from colleagues. He pauses long between words, measuring each one because the weight of each word is just as important as its meaning.
In the new movie Lincoln, actor Daniel Day-Lewis is getting a lot of attention for his spot-on portrayal of the 16th president. But Ben Burtt, the sound designer, also deserves credit for the film's authenticity. You may not know his name, but you surely know his work.
Burtt is something of a legend in the movie sound world. He has won numerous Oscars, including for his work on Star Wars.
Burtt invented that iconic swoosh of the light saber, using the hum of an old projector and the buzz of a television set.
Originally published on Thu November 8, 2012 9:23 pm
After a quarter century together as one of the world's top chamber music ensembles, the Fugue String Quartet is falling apart at the seams. A generation older than his colleagues, cellist Peter (Christopher Walken) is experiencing the early symptoms of Parkinson's, and with his sudden retirement, a morass of long-buried resentments and pain come spewing out of his three younger partners: first violinist Daniel (Mark Ivanir), second violinist Robert (Philip Seymour Hoffman) and violist Juliette (Catherine Keener).
This past week has been filled with some truly tragic stories of loss and devastation in the wake of Hurricane Sandy. There are also a few stories of near misses and disasters averted. Marin Alsop, music director of the Baltimore Symphony Orchestra, fortunately has one of the latter.