The world often feels full of fading traditions, from drive-in movie theaters to the dying art of good old-fashioned letter writing.
For the British, add brass bands to that list. Traditional brass bands have played an important cultural role in working-class British communities for centuries. But some warn that without funding, they could become a thing of the past.
Take the Grimethorpe Colliery Band in South Yorkshire. The band was originally formed in 1917, and nearly 100 years later, a group of tuba, euphonium and other horn players still bears the band's name.
Originally published on Sat February 23, 2013 11:31 am
Film scores are, by and large, manipulative. They do their work at the periphery of the senses, signaling danger, heralding victory, prodding us toward fear and joy in time with the unfolding story. Crucially, they are also empathic, letting us in on what the actors' words or faces may not convey. And when things get unpleasant, the score can step in as an emotional buffer — a layer of unreality between us and the action that lets us know we're safe. Sunday night at the Oscars, Hollywood will honor a film whose music manages to get all these things right.
This year is the bicentennial of Richard Wagner's birth. The man widely called the greatest living Wagnerian tenor is marking the occasion in style — and asking listeners who may have turned away from the German composer to give his music another chance.
Clarinetist Anat Cohen is one of a handful of Israeli jazz musicians making a mark on the American jazz scene. She's been voted Clarinetist of the Year six years in a row by the Jazz Journalists Association, and her most recent album, Claroscuro, showcases the range of her talents and musical influences, from New Orleans-style jazz to Israel to Latin music — particularly that of Brazil.
Cohen says that the clarinet's somewhat old-fashioned reputation may be the result of the very thing that attracts her to the instrument.
Is there some kind of weird vocal vortex in Minnesota? The state turns out so many excellent choral groups — at the school, church and professional levels — that it can arguably be dubbed the choral center of the U.S.
The members of the male vocal ensemble called Cantus, who huddled around Bob Boilen's desk to sing for us, hail from that vortex — specifically Minneapolis-St. Paul.
Hugely good news for all you wandering minstrels: After years of pressure from groups like the American Federation of Musicians, the FAA has just passed a bill that (finally!) allows musicians to carry their instruments as carry-on luggage or, for larger instruments, to buy an extra seat. However, the federal agency has a year to implement the new standards.