Melissa Aldana, who became the first female instrumentalist and first South American musician to win the Thelonious Monk International Jazz Saxophone Competition last fall, is not the average talent-contest winner.
Carlo Bergonzi endures. Not only is the Italian tenor approaching his 90th birthday (on July 13) but for decades he sang with tireless warmth and precision, representing a certain old school approach to carefully cultivating one's vocal resources.
Richard Reed Parry is famous for making music sound big. As a core member of Arcade Fire, the Grammy-winning indie rock group from Montreal, he wields multiple instruments to help create deep, layered textures in which strings and synthesizers, slow ballads and disco dance tracks are all at home.
Conductor Julius Rudel, a defining figure in 20th-century opera production, died early Thursday morning. He was 93, and died at his New York home of natural causes, according to his son Anthony Rudel, station manager of Boston classical music broadcaster WCRB. WCRB is part of WGBH and an NPR member station.
The vibraphone is a special instrument. That spooky, smoky, sparkling sound — there's nothing like it. And there's nothing like hearing the vibes played by Bobby Hutcherson.
Hutcherson has covered a lot of ground on his instrument. In the 1950s he was already playing professional gigs, as a teenager. In the '60s, he was a leading light of jazz's avant garde, breaking new ground on some of the most revered LPs issued by Blue Note Records.
About two years ago, playwright David Henry Hwang turned down an offer to write a play about the brief life and suicide of Army Pvt. Danny Chen.
But an opera? He couldn't refuse.
"This is a story with big emotions, big primary colors in a way, and big plot events," says Hwang, who wrote the libretto for An American Soldier, a new hourlong opera commissioned by Washington National Opera.