Wolfgang Amadeus Mozart

Creatively Speaking
8:45 am
Mon April 14, 2014

The Don Is Back!

Opera Philadelphia's production of Mozart's DON GIOVANNI opens on April 25 at the Academy of Music.

Don Juan, one of fiction's most infamous scoundrels, returns to the opera stage in Philadelphia next week.  As WRTI's Jim Cotter reports, Opera Philadelphia's latest production is also a showcase for singers who learned their craft in the city.

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Opera on WRTI
12:15 pm
Thu October 3, 2013

Mozart's COSI FAN TUTTE: San Francisco Opera on WRTI, October 5, 1 PM

Soprano Christel Lötzsch sings Dorabella in Mozart's opera buffa COSI FAN TUTTE.

Two young soldiers disguise their identities to test their lovers' fidelity in this Mozart masterpiece, a sublime and sometimes startling mix of hilarious farce and poignant drama first performed in 1790.

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WRTI 60th Anniversary Limited-Edition CDs
4:52 pm
Mon September 9, 2013

60th Anniversary Classical CD Highlight: Mozart, Ave Verum Corpus

Joos van Wassenhove, The Institution of the Eucharist, 1473-75

from Wolfgang Amadeus Mozart: Ave Verum Corpus

Wolfgang Amadeus Mozart's Ave verum corpus, performed by the Kosice Teachers’ Choir and Camerata Cassovia, conducted by Johannes Wildner, is featured on CD 1 in the WRTI 60th Anniversary Classical 3-CD set.

Mozart wrote this for a church musician friend of his, for the Feast of Corpus Christi. “Hail, true Body” is sung at the central moment of the Catholic liturgy, but is here so simple, so self-effacing, that it almost sneaks by. The melody is nearly too sweet, the harmonies stay put, the bass line doesn’t travel much, the voices move together. But at “May it be for us a foretaste in the trial of death,” Mozart holds back the tenors and basses—just for a space.

When they enter, oh so quietly, repeating the women’s “may it be,” Mozart’s genius detonates the mysterious celebration of the power of suffering. He wrote this in June, 1791. In December he would be dead. Ave verum corpus may be the most stunningly compact explosion of music ever composed.

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Creatively Speaking
8:16 pm
Sun January 6, 2013

Why Is The Philadelphia Orchestra Playing Mozart Without A Conductor?

The Philadelphia Orchestra Concertmaster David Kim

Listeners may not think about the visuals in an orchestra concert, but body language is an important way in which musicians communicate with one another. From his chair, Philadelphia Orchestra Concertmaster David Kim leads Mozart’s Serenade in G Major: Eine Kleine Nachtmusik the way it would have been done in Mozart’s time, without a conductor, on January 10th, 11th, and 12th in concerts at the Kimmel Center.

Kim talks with WRTI’s Susan Lewis about body motion and playing without a conductor. Concert information here.

News and Views
7:35 am
Mon February 7, 2011

AMADEUS: The Story of Mozart and Musical Rivalry at the Walnut Street Theatre

Creatively Speaking
4:54 pm
Sat January 28, 2006

Ignat Solzhenitsyn

A conversation with Chamber Orchestra of Philadelphia music director Ignat Solzhenitsyn. He conducts a program featuring two of the most significant works in the symphonic repertoire this Sunday and Monday. Susan Lewis explores the power and myths of Mozart -- his ever popular 18th century music is claimed by some to do everything from alleviating learning disorders to better ripen grapes. Jason Peifer previews the American premiere of Novecento at the Lantern Theater Company.

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