We turn the corner into a new year of Now Is the Time, Saturday, January 3rd at 9 pm. Kevin McCarter's Prelude and Excursion for orchestra leads into a sacred new year's dedication for chorus by Carson Cooman, Set Me As a Seal. And then the pianist Marc-André Hamelin performs Twelve New Etudes, Book 4 by William Bolcom.
Robert Honstein snips dialog from an online dating service to entitle the electronic chamber works in his CD RE:you; we'll hear I know the feeling…. For violin and piano is Eric Moe's Preamble and Dreamsong from the 4-5 a.m. REM Stage. The last movement of Symphony of the Universe by Wendy Mae Chambers comes to us in a live recording from the cavernous Cathedral of St. John the Divine in New York City, and what better way to listen to Evolution, music for 100 timpani?
We're thankful on Now Is the Time, Saturday, November 29th at 9 pm at wrti.org and WRTI-HD2. Film composer Victor Young (Shane, Around the World in Eighty Days) was a benefactor of the music department at Brandeis University, so when John Harbison had the opportunity to compose something for them, he wrote Thanks, Victor, echoing "When I Fall in Love" and other great tunes in this string quartet. Lawrence Dillon's Second String Quartet, "Flight," evokes flying and fugues, with, among other subjects, Daedalus and Icarus, birds, and paper airplanes.
Daedalus and Icarus also appear in William Bolcom's Inventing Flight for orchestra, as do Leonardo da Vinci and Orville and Wilbur Wright. Bolcom is grateful for the gift of flight, and we're grateful for the triumphant collaboration of this composer, his wife, mezzo-soprano Joan Morris, and librettist Arnold Weinstein in the ever-green Cabaret Songs. The program finishes with a fun, live recording of Vol. 4.
The spirit of Halloween hovers over Now Is the Time, Sunday, October 27th at 10 pm. Strings, bells, melodicas softly accompany waning desert sunlight: such is Drift of Rainbows by Dan Visconti. William Moylan's setting of the Yeats poem The Stolen Child tells an Erlkönig-like story: "Come away, O human child! / To the waters and the wild / With a faery, hand in hand, / For the world's more full of weeping than you can understand."
Benjamin Broening processes out-takes of recordings over and over until they sound hardly electronic anymore, but more, perhaps, like ghosts, in Traces (ii). Acoustically to Shake the Tree is Robert Carl's business at hand—for piano four-hands—and the fruit from the overtone series brilliantly litters his landscape. And William Bolcom wraps the program with one of his fortes in the Graceful Ghost Rag.
It's good-bye to summer with a little—and more than a little—jazz on Now Is the Time, Sunday, September 15th at 10 pm. Quartet San Francisco starts off the program with Jeremy Cohen's summery Tango Toscana. Saxophonist Rudresh Mahanthappa honors his heritage and also the victims of 9/11 in Are There Clouds in India? Bassist John Patitucci works grooves into Scenes for Viola and Percussion, and Linda Robbins Coleman spins out a piano rag in Bill’s Song.