On Sunday, August 13th at 1 pm, WRTI'sPhiladelphia Orchestra in Concert re-broadcast brings us a feast of Ravel, and Prokofiev's Violin Concerto No. 1, played by the brilliant Curtis grad and rising star Benjamin Beilman! Listen on WRTI's new App!
WRTI's Susan Lewis speaks with Joe Miller, director of choral activities at Westminster Choir College.
A glorious work, infrequently heard in the concert hall, will grace the airwaves this Sunday, July 23rd at 1 pm, as the Philadelphia Orchestra, soloists, and the Westminster Symphonic Choir perform Mozart's Great Mass in C minor at the Kimmel Center's Verizon Hall. Yannick Nézet-Séguin conducts.
It was on the 2nd of March, 100 years ago, that The Philadelphia Orchestra was, in effect, introduced to the world. The stage of the Academy of Music had to be extended, at considerable expense, to accommodate the enormous vocal and orchestral forces for the first United States performance of Gustav Mahler’s Symphony No. 8, the so-called “Symphony of a Thousand.”
Guest conductor Vladimir Jurowski shares some very interesting background information about the program in this conversation with WRTI's Susan Lewis.
Join us this Sunday to hear the breathtaking 2014 Philadelphia Orchestra concert featuring a program for all of our fans of Sergei Rachmaninoff! In this re-broadcast, you'll hear the Philadelphians perform Rachmaninoff’s choral-symphonic setting of Edgar Allan Poe’s haunting poem, The Bells, which received its U.S. premiere here in Philadelphia in 1920 with Leopold Stokowski conducting. Between each of the four movements of this magnificent choral symphony, Poe’s original text will be dramatically recited in English by actor Sherman Howard, to capture the full essence of the words and music together.
What became known as the "Resurrection" Symphony, Gustav Mahler's Symphony No. 2 is one of the longest, most ambitious, and profoundly moving orchestral works ever composed; its unusual impact and philosophical import have been recognized ever since Mahler conducted the premiere in Berlin in 1895.
Yannick Nezet-Seguin conducts one of the supreme monuments in Western music, and the work that initiated the great rediscovery of Bach’s music when the 20-year-old Felix Mendelssohn conducted it in Berlin in 1829 – the St. Matthew Passion.
Few quaint New Jersey towns have major orchestras, choruses, and chamber music performances - but Princeton does. The Philadelphia Inquirer's David Patrick Stearns reports on the vibrant music scene in this center of academic excellence.
This Sunday at 1 pm it's a re-broadcast of the 2013/204 season-opening concert from the end of September, featuring Beethoven's awe-inspiring Ninth Symphony. With its universal message of freedom and brotherhood, the Ninth is the crowning achievement of Beethoven’s revolutionary works, its famous “Ode to Joy” serving as a message of hope for all mankind. Showcasing the Westminster Symphonic Choir, and conducted by Music Director Yannick Nezet-Seguin, this performance launched a two-year cycle of all nine Beethoven symphonies.
The Choir will also appear in Beethoven’s rarely heard setting of Goethe’s Calm Sea and Prosperous Voyage, as well as the world premiere of the young American composer Nico Muhly’s newly orchestrated Bright Mass with Canons for chorus, orchestra, and featuring the Fred J. Cooper Memorial Organ.
During intermission, WRTI's Susan Lewis speaks with Yannick about the program, and the new season, and WRTI's Jim Cotter sits down with both tenor Christian Elsner and bass-baritone Shenyang, both of whom play very important roles in this concert.
Not to be missed! That's this Sunday, July 13 from 1 to 3 pm on WRTI.
Westminster Choir College at Rider University in Princeton, New Jersey is an epicenter for excellence in choral music. As WRTI’s Jim Cotter reports, one of Westminster’s choirs can be heard on WRTI on Sunday, July 13 at 1 pm, conducted by a now very well-known alum of the school.
Few smallish New Jersey towns have major orchestras, choruses and chamber music performances. But music lives in Princeton: and in many guises, as the Philadelphia Inquirer's David Patrick Stearns now reports.