Jazz musician Vijay Iyer started playing the violin when he was 3, but when he was 4 or 5, he wanted to play another instrument: the piano.
"The piano was around because my sister was taking lessons, and so I just started messing on it and figuring things out little by little," Iyer tells Terry Gross. "I can't really pinpoint the beginning of it."
Jeremy Denk has recently written for <a href="http://www.newyorker.com/reporting/2012/02/06/120206fa_fact_denk"><em>The New Yorker</em></a> and <em><a href="http://www.nytimes.com/2012/04/15/books/review/the-great-animal-orchestra-by-bernie-krause.html?_r=2&adxnnl=1&pagewanted=all&adxnnlx=1337778055-USiY+mXCAcDwaHTUn+NOVA">The New York Times</a> Book Review.</em>
Originally published on Sat December 29, 2012 9:31 am
For the better part of this year, I haven't been able to shake a certain phrase from the back of my mind. It was written by the pianist and composer Vijay Iyer in the liner notes to his brilliant trio album Accelerando: "[T]his album is in the lineage of American creative music based on dance rhythms."