Falling off the podium or into the orchestra pit weren’t the occupational hazards befalling French Baroque composer Jean-Baptiste Lully - but his was no less risky. Temple University Professor Steven Zohn, an expert in Baroque music, recounts the conducting move that led to Lully’s death.
Zohn says Lully, who first came to the attention of King Louis XIV as a dancer, profited from his relationship with the monarch - and his power over the musical facets of the royal court became wider and wider.
On Sunday, August 11th at 2 pm, WRTI will broadcast a recorded live concert featuring The Philadelphia Orchestra performing three of Bach’s Brandenburg Concertos, his Double Violin Concerto, and his Orchestral Suite No. 3.
George Frideric Handel was born in Germany in 1685, and moved to Britain as a young man. He spent his most productive years there, and became a naturalized British subject in his early 40s. His now-famous Water Music suites,commissioned for King George I for a ceremonial boat ride on the River Thames in London, were first performed during the summer of 1717.
Five years later, Water Music was brought inside to London’s Stationers' Hall. But whether the audience heard just a portion, or the entire hour-long work, remains a mystery. WRTI’s Meridee Duddleston puts the well-known Baroque piece into perspective.
For the first time in almost 30 years, The Philadelphia Orchestra is performing Bach’s St. Matthew Passion. The monumental oratorio fell into obscurity for decades after Bach's death in 1750. Composer Felix Mendelssohn's production of the work in 1829 helped spark the modern Bach revival. Susan Lewis considers Bach’s life and work.
On March 28th through 30th, The Philadelphia Orchestra performs the uncut Bach’s St. Matthew Passion, with costumes and dramatic lighting at the Kimmel Center in Philadelphia.