Stephane Deneve

The second movement of Beethoven’s Symphony No. 7—the Allegretto—has captivated listeners since the symphony’s 1813 premiere, when it was so popular that the orchestra used it as an encore. WRTI’s Susan Lewis has more on why this particular movement continues to engages us.

What a concert we have in store for you in this Sunday's broadcast of The Philadelphia Orchestra!  The celebrated violinist Gil Shaham is soloist and brings you all the passion, energy, and virtuoso fireworks of Tchaikovsky’s Violin Concerto in D Major.

This Sunday, November 26th at 1 pm on WRTI 90.1, Philadelphia Orchestra Principal Guest Conductor, Stéphane Denève conducts one of the most remarkable first symphonies in music history— Gustav Mahler's Symphony No. 1.

It's a special three-hour Philadelphia Orchestra in Concert broadcast, on Sunday at 1 pm, capturing highlights of the Orchestra’s three-day Rachmaninoff Festival from last April.

This Sunday, October 22nd, WRTI’s Philadelphia Orchestra in Concert broadcast begins and ends with works by Finnish masters and is conducted by Principal Guest Conductor Stéphane Denève. And in between? Pianist Lars Vogt plays one of Grieg's most popular works.

Credit: Felix Broede

Join us this Sunday on WRTI for a mini festival of Russian favorites, as Principal Guest Conductor Stéphane Denève returns to Verizon Hall in this re-broadcast to conduct The Philadelphians. Download our new App to listen wherever you are in the world!

The celebrated cello maestro Yo-Yo Ma kicks off a two-week Philadelphia Orchestra celebration of John Williams' music for concert hall and film this week, and Sunday’s concert will be broadcast LIVE at 2 PM here on WRTI.

The centerpiece of this program will be John Williams’ Cello Concerto, written specifically for Yo-Yo Ma, at the suggestion of Seiji Ozawa.

From an ancient buried past in Pompeii, to an outer-worldly future, The Philadelphia Orchestra in Concert on WRTI transports us to different worlds this Sunday, October 11th at 1 pm.

In this re-broadcast, we’ll hear excerpts from Close Encounters of the Third Kind, John Williams’s music from the film, which was nominated for an Academy Award in 1977. It was his third collaboration with director Steven Spielberg, immediately following their great success with Jaws.


When can music composed for a film stand on its own? WRTI’s Susan Lewis reports on how John Williams’ suite from Close Encounters of the Third Kind translates to the concert stage.


There’s some great classical music not often played at adult concert series. As WRTI’s Susan Lewis reports, The Philadelphia Orchestra’s principal guest conductor points to several under-performed masterworks that speak to everyone.


Pages