Singing can be vocal or instrumental on Now Is the Time, Saturday, June 7th at 9 pm at wrti.org and WRTI-HD2. A tribute to a family, carved in cemetery marble, is the choral Notturno in Weiss (Nocturne in White) by Robert Moran. Joseph Hallman's Three Poems of Jessica Hornik uses voice with an expanded chamber ensemble, while Anthony Iannaccone selects a solo piano for his Song without Words.
An Uruguayan legend or Leyenda comes from Sergio Cervetti for voice and orchestra, and from her ten-year-old daughter's poem about a Cape Cod berry-picking excursion, Elena Ruehr creates the all-instrumental Blackberries.
There are journeys and rumors of journeys on Now Is the Time, Sunday, October 13th at 10 pm. Harold Meltzer's Rumors is for one flutist and four flutes: piccolo, C flute, alto, and bass. He envisions a drum set, the breathing of conspiracies (con spirare, to breathe together), and an old man on a bench in Italy trying to remember a children's song.
Sergio Cervetti pictures Peru's desert drawings in Nazca for string orchestra. Seen from the air, they could be monkeys, spiders, hummingbirds, or extraterrestrials, but whatever they are, the music is rich and inviting. As is Elegant Journey with Stopping Points of Interest, using the drawn, or graphic, notation that Robert Moran was employing in the ’60s. He revised this for solo organ, and we hear the European premiere from 2009.
Join Jill for a fascinating interview with Sergio Cervetti - a highly accomplished composer and teacher who enlightens the ear with diversified sounds that are beautiful and invigorating. Cervetti's compositions include electronic and instrumental scores for orchestra, opera, chamber ensemble, voice, dance and film. RadioIndy.com describes Cervetti's 2009 release, Visual Diary/The Mouth of Boredom as "...interlaced with Alternative, Electronic, Contemporary and New Age Classical creations...The visions and artistic musical conceptions in the CD are inspiring and expertly written.