There are journeys and rumors of journeys on Now Is the Time, Sunday, October 13th at 10 pm. Harold Meltzer's Rumors is for one flutist and four flutes: piccolo, C flute, alto, and bass. He envisions a drum set, the breathing of conspiracies (con spirare, to breathe together), and an old man on a bench in Italy trying to remember a children's song.
Sergio Cervetti pictures Peru's desert drawings in Nazca for string orchestra. Seen from the air, they could be monkeys, spiders, hummingbirds, or extraterrestrials, but whatever they are, the music is rich and inviting. As is Elegant Journey with Stopping Points of Interest, using the drawn, or graphic, notation that Robert Moran was employing in the ’60s. He revised this for solo organ, and we hear the European premiere from 2009.
The Mendelssohn Club Chorus, the Philadelphia Boys Choir, and The Chamber Orchestra of Philadelphia are set to perform at the Cathedral Basilica of Saints Peter and Paul in a very special concert that includes the world premiere of Robert Moran’s expanded - and haunting - 9/11 tribute, Trinity Requiem.
The Philadelphia Inquirer's David Patrick Stearns looks ahead to the October 21st event, that also features Bruckner's Mass in E minor and Moran's Angele Dei.
Join us on September 11th for special programming honoring the memory of all who were lost 11 years ago. We'll mark the event with Samuel Barber's Adagio for Strings at 8:46 am, and Robert Moran's hauntingly beautiful Trinity Requiem at 2 pm, featuring the Trinity Youth Chorus.
Trinity Wall Street commissioned Robert Moran’s Trinity Requiem for the tenth anniversary of the 9/11 destruction of New York’s World Trade Center. Moran has written music for entire cities to perform—San Francisco, Graz, Bethlehem, Pa.—with cars, airplanes, multiple orchestras, choirs, and bands joining in raucous mélanges of celebration. You wonder what he would write for a city’s terror.