Wagner’s final masterpiece explores the many facets of this mystical score. Jonas Kaufmann stars in the title role of the innocent who finds wisdom. His fellow Wagnerian luminaries include Katarina Dalayman as the mysterious Kundry, Peter Mattei as the ailing Amfortas, Evgeny Nikitin as the wicked Klingsor, and René Pape as the noble knight Gurnemanz. Daniele Gatti conducts. Saturday, March 2, * 12 noon to 6 pm (*note early start time).
Originally published on Sat February 16, 2013 6:00 pm
This year is the bicentennial of Richard Wagner's birth. The man widely called the greatest living Wagnerian tenor is marking the occasion in style — and asking listeners who may have turned away from the German composer to give his music another chance.
Later this year we’ll mark the Richard Wagner bicentennial, but it was this week in 1883 that the great German composer died. As WRTI’s Jim Cotter reports, in his later years, Wagner would write a piece of orchestral music commissioned by a Philadelphian and premiered in the city.
Wagner was 69 years of age when he passed. He had spent his last years raising money to establish a permanent home to showcase his works in the Northern Bavarian town of Bayreuth. To this end when the American Centennial celebrations of 1876 wanted a march to celebrate the role of German Americans in the history of the country, a Philadelphia socialite Elizabeth Gillespie sought the counsel of the German-born conductor Theodore Thomas. He suggested the $5000 commission be offered to Wagner. Wagner gratefully accepted, and delivered the work. Temple Art History professor Therese Dolan, who has written a book about the intersection of music and the visual arts in 19th century Paris says Wagner’s Grand March is not one of his grandest works.
You can tell that his heart wasn’t in it. He was building Bayreuth, so he charged five thousand dollars for this twelve minute piece of music and it was played when Roosevelt came to the Worlds’ Fair.
And though it’s been rarely played since, whatever the piece lacked in musical quality it made up for with typical Wagnerian bombast.
A hundred and fifty piece orchestra and then he also wanted a canon to be set off at the end of it. Critics felt there was no American feeling in it. Well what did they expect? They commissioned a German to do it.
Therese Dolan’s book Artworks of the Future: Manet, Wagner and Liszt will be published later this year.
Listen to Jim Cotter's full interview with Therese Dolan.
Join WRTI's Jill Pasternak and Macy's Grand Court Organist Peter Richard Conte as they present a variety of performances of great works including Dudley Buck's Concert Variations on 'The Last Rose of Summer', Gabriel Faure's Nocturne from Shylock, and Sowerby's Comes Autumn Time.
As a special treat, they'll reprise a live performance from our June 2012 Organ Day - Wagner's Siegfried's Funeral March and Immolation Scene. Sunday, October 7th, 5 to 6 pm. Tune in!
Join us from 11 am (early start time) to 4:30 pm on Saturday, April 28th for The Met Opera's Die Walkure. A wounded deity comes to realize the limits of his power in the heartbreaking second installment of Wagner's "Ring" cycle. Wotan, king of the gods, strives to undo the curse of the ring by fathering a pure-of-heart hero by a mortal woman. But he finds himself torn as events spin out of control and his offspring defy his will.
Be sure to join us on Saturday, April 21st, *11 am to 5 pm (note early start time) for Richard Wagner's SIEGFRIED.
In part three of the Ring cycle, Wagner’s cosmic vision focuses on his hero’s early conquests. Jay Hunter Morris sings the title role and Deborah Voigt’s Brünnhilde is his prize. Bryn Terfel is the Wanderer. Fabio Luisi conducts.