Join us Sunday from 4 to 6 pm for the final installment in the acclaimed music series, Keeping Score: 13 Days When Music Changed Forever, and chamber music from Wolf Trap.
November 4, 1964: The premiere of Terry Riley's "In C" at the San Francisco Tape Music Center. This piece, and the minimalist outpouring that it sparked, were a reaction to the rigid strictures of serialism and the stranglehold of the academic composers of the time. Hosted by Suzanne Vega and conductor Michael Tilson Thomas. Sunday, August 25, 4 to 5 pm.
The big news this week was the birth of Prince George Alexander Louis, the new Duke of Cambridge. Plenty of sleepless nights certainly await the Royal parents; so this new collection of lullabies may be just what the royal doctor ordered.
In German, it's wiegenlied; in French, berceuse; in Norwegian, vuggevise. In any language, the universal effect of what we know as the lullaby is, of course, to coax a baby to sleep.
Violinist Rachel Barton Pine had her own baby in mind when she decided to record a collection of lullabies. Her infant daughter appears on the cover of the new album Violin Lullabies — all folded up, fast asleep, so tiny she just about fits in her dad's hands.
Join Jill Pasternak when she interviews the multi-dimensional violinist Rachel Barton Pine. A child prodigy from Chicago, who went on to appear as soloist with some of the world's most famous orchestras, Rachel overcame a devastating accident in 1995 to continue a career that crosses from the classical music world and into Celtic, folk music, rock, and jazz. Hear her inspiring story on Crossover this Saturday.