This Sunday, March 8, it's the Philadelphia Orchestra's St. Petersburg Festival, Week One concert from this past January, conducted by Yannick Nezet-Seguin. And it features no fewer than three 40/40 works: “Winter,” from A. Glazunov’s The Seasons, and two of five movements from Tchaikovsky’s The Nutcracker, all coming in the first half of the program. After intermission, you'll hear a work the Orchestra will take on its European tour, Tchaikovsky’s spectacular Symphony No. 5.
On Sunday, February 8th, The Philadelphia Orchestra in Concert broadcast features Amsterdam-born conductor Jaap van Zweden, music director of both the Dallas Symphony Orchestra (since 2008) and the Hong Kong Philharmonic Orchestra (since 2012).
In a concert first broadcast on WRTI in May of 2013, Maestro van Zweden conducts two works composed by the Russian masters Pyotr Ilyich Tchaikovsky and Sergei Prokofiev that could hardly be more different in their purpose and effect.
Join us this Sunday, November 9 at 1 pm for the re-broadcast of a Philadelphia Orchestra concert from last January - part of a three-week celebration of works by Tchaikovsky and his contemporaries.
British conductor Robin Ticciati returns to Philadelphia after a highly acclaimed debut in 2012. The young maestro launches the celebration with a performance of Tchaikovsky’s Symphony No. 4, taking us on an emotional journey toward an exhilarating affirmation of life’s joys.
In the 1870s, Tchaikovsky composed such large scale works as Swan Lake, Symphonies 2, 3, and 4, and Variations on a Rococo Theme. But, as WRTI’s Susan Lewis reports, in the same years, he was also writing short orchestral pieces with emotional power and technical virtuosity. She discusses two of these pieces, Melancoliqueand Valse-Scherzo, with violinist David Kim, the Philadelphia Orchestra's concertmaster .
This month's Applause! features two superb performances by The Chamber Orchestra of Philadelphia. The first performance is of Tchaikovsky’s violin concerto, recorded in concert last month in the Perelman Theater at the Kimmel Center in Philadelphia. Internationally acclaimed Japanese-born violinist Saeka Matsuyama is the soloist. The second is Mozart’s seldom heard Symphony No. 17 with guest conductor Matthias Bamert. Dave Conant is your host this Sunday, June 15th at 5 PM.
On this Sunday's Philadelphia Orchestra in Concert broadcast on WRTI, we'll hear a performance of the Tchaikovsky Violin Concerto. As WRTI's Jim Cotter reports the instrument on which it is being played would have sounded very familiar to the composer.
In 1878 Pyotr Tchaikovsky wrote a violin concerto for the Hungarian violinist Leopold Auer. It was to be performed on Auer's 1690 Stradivarius, which is today the main instrument of the Russian-born Israeli violinist Vadim Gluzman.
Born in Shanghai, the Philadelphia Orchestra's principal cellist has performed in recitals, and with orchestras, all over the world. As WRTI's Susan Lewis reports, Hai-Ye Ni is the featured soloist on WRTI's concert broadcast of the Philadelphia Orchestra on Sunday March 9th. She'll perform Tchaikovsky's Variations on a Rococo Theme. Written for Tchaikovsky's friend, German Cellist Wilhelm Fitzenhagen, the work - a theme with seven different variations - is a challenge for the soloist, who plays almost constantly.
Join us for an archival broadcast of Tchaikovsky’s fateful romance Eugene Onegin. Valery Gergiev conducts the performance from October 5th, 2013, which features soprano Anna Netrebko as the naive heroine Tatiana, baritone Mariusz Kwiecien as the aristocratic title character, and tenor Piotr Beczala as the poet Lenski. Mezzo-soprano Oksana Volkova sings the role of Tatiana’s sister, Olga, and Alexei Tanovitski sings Prince Gremin.
Discoveries from the Fleisher Collection broadcasts Saturday, December 7th, 2013, 5-6 pm on WRTI and wrti.org. Shakespeare continues to live, and if you were to name an orchestral work based on one of his plays, we wouldn’t blame you for coming up with one of the most popular works in the repertoire, Tchaikovsky’s Romeo and Juliet. But it wouldn’t be Discoveries without a curve ball or three, so this month we offer another Fantasy-Overture of his, Hamlet.