It's an elegiac walk among portraits, surrounding the remembrance of JFK on Now Is the Time, Saturday, November 23rd at 9 pm—our new time, every Saturday night at 9 on WRTI-HD2 and the all-classical stream at wrti.org.
In Gallery for solo cello, Robert Muczynski takes us past paintings, similar to the how Mussorgsky does in Pictures at an Exhibition. A Kennedy Portrait for narrator and orchestra uses the words of President Kennedy and also some from the composer, William Kraft, in this work of exhilaration and hope.
From the CD Portraits & Elegies is Philip Lasser's Vocalise, poignant music for violin and piano. Returning to the single cello, Andrew Waggoner's Le Nom (Upperline) is a beautiful reminiscence of his hometown of New Orleans both before and after Hurricane Katrina. John Harbison walks us again through a gallery, but Six American Painters is more about the artists themselves—including Thomas Eakins and Winslow Homer—rather than their work.
If you're new to Now Is the Time, just go to wrti.org and click on the Listen: Classical button at the top. Day or night, that brings you the classical stream, and at 9 pm every Saturday, you'll hear Now Is the Time. In the Philadelphia area with an HD radio? Dial us up at 90.1 FM, HD2, or find all the frequencies here, depending on where you are, from the Shore to the Poconos to Harrisburg to Dover. Thanks for supporting American contemporary music on WRTI!
You might call these fantastic lullabies on Now Is the Time, Sunday, August 25th at 10 pm. The birth of a friend's daughter inspired Rick Sowash's Lullabye for Kara for cello and piano. Steven Gerber's Violin Concerto is a rocking to sleep, of sorts, of a work he began as a student at Haverford College but never finished. One part of it, however, was born anew as this concerto's first movement.
From solo strings to more—but synthesized—is Carl Berky's The Synthelating Mariachi String Band. In Secret Geometry, James Primosch uses electronic tape with piano, and between explosive Variations and a brilliant Toccata is a Nocturne in the true spirit of night-music: the other side of a lullaby, perhaps. Phillip Lasser focuses on the singer of the lullaby rather more than the song itself, in Berceuse fantasque for violin and piano.