Different quartets evoke different textures on Now Is the Time, Saturday, November 22nd at 9 pm at wrti.org and WRTI-HD2. Geology dominates Paul Lansky's Textures. It's for two pianists and two percussionists, and movement titles use words like striations, substrates, granite, and round-wound (makes me think of bass guitar strings). Hammering keyboards and lyrical mallets comprise this unusual foursome.
Philip Glass composed a string quartet, his fourth, in memory of the artist Brian Buczak, who died in 1987, and was a friend. The lilting, pulsing music carries a smooth sadness as its predominant Glassian texture; the great quartet Kronos brings this to us to close the program.
They come in twos on Now Is the Time, Saturday, August 9th at 9 pm at wrti.org and WRTI-HD2. Joan Tower responded to Copland's Fanfare for the Common Man with numerous Fanfares for the Uncommon Woman; we'll hear No. 2. Eric McIntyre doubles down on impressionism with Secondary Impressions for saxophone and piano, and Kronos performs the Quartet No. 2 of Philip Glass.
William Hawley's Two Motets on Roman poets, sung by Volti, separates the last two instrumental works, the Four Fanfares for Two Trumpets by Andrew Rindfleisch and John Novacek's Three Rags for Two Pianos.
New York's Metropolitan Opera is gearing up to launch Wagner's complete Ring cycle, but just how "revolutionary" is the $16 million, 45-ton production? New York Times' Anthony Tommasini talks with Met GM Peter Gelb about the embattled Robert Le Page production, a conversation Parterre Box views as "damage control" on Gelb's part.