In the 1870s, Tchaikovsky composed such large scale works as Swan Lake, Symphonies 2, 3, and 4, and Variations on a Rococo Theme. But, as WRTI’s Susan Lewis reports, in the same years, he was also writing short orchestral pieces with emotional power and technical virtuosity. She discusses two of these pieces, Melancoliqueand Valse-Scherzo, with violinist David Kim, the Philadelphia Orchestra's concertmaster .
You won't want to miss the optimism and sunshine of Gustav Mahler’s Symphony No. 4, drawing much of its balance and influence from the Classical era, this Sunday, July 20th at 1 pm. It's the Philadelphians in a performance from October in Verizon Hall, a re-broadcast from November, 2013.
This Sunday’s re-broadcast of The Philadelphia Orchestra in Concert, on July 20th at 1 pm, features a celebrated oboe concerto by Richard Strauss. As WRTI’s Susan Lewis reports, the 1945 work has a Philadelphia connection.
The concert features Mahler's 4th Symphony, Britten's Variations and Fugue on a Theme of Purcell, and the Strauss Oboe Concerto with soloist Richard Woodhams.
On this Sunday’s Philadelphia Orchestra in Concert broadcast, Music Director Yannick Nezet-Seguin conducts works by Britten and Strauss, along with Mahler's Symphony No. 4. As WRTI’s Jim Cotter reports, the German soprano in the Mahler work is singing a piece that is revered in her homeland.
You never know where you'll encounter composer Uri Caine- born, raised, and educated in Philadelphia, but now equally well known in jazz and classical circles around the world. But the Philadelphia Inquirer's David Patrick Stearns found him rehearsing in yet another musical continent at St. Paul's Evangelical Lutheran Church in Olney.
This Sunday at 1 pm it's a re-broadcast of the 2013/204 season-opening concert from the end of September, featuring Beethoven's awe-inspiring Ninth Symphony. With its universal message of freedom and brotherhood, the Ninth is the crowning achievement of Beethoven’s revolutionary works, its famous “Ode to Joy” serving as a message of hope for all mankind. Showcasing the Westminster Symphonic Choir, and conducted by Music Director Yannick Nezet-Seguin, this performance launched a two-year cycle of all nine Beethoven symphonies.
The Choir will also appear in Beethoven’s rarely heard setting of Goethe’s Calm Sea and Prosperous Voyage, as well as the world premiere of the young American composer Nico Muhly’s newly orchestrated Bright Mass with Canons for chorus, orchestra, and featuring the Fred J. Cooper Memorial Organ.
During intermission, WRTI's Susan Lewis speaks with Yannick about the program, and the new season, and WRTI's Jim Cotter sits down with both tenor Christian Elsner and bass-baritone Shenyang, both of whom play very important roles in this concert.
Not to be missed! That's this Sunday, July 13 from 1 to 3 pm on WRTI.
The Philadelphia Orchestra is performing a two-year cycle of Beethoven’s symphonies. As WRTI’s Susan Lewis reports, although known to generations of music lovers, these great works continue to provide insights into Western musical heritage.
WRTI has teamed up with The Philadelphia Orchestra and The Mann Center for the Performing Arts to present our first-ever People's Choice Concert. Join us at the Mann on August 1st when the Fabulous Philadelphians play a *program selected by YOU! Gregg Whiteside will be your host for the evening.Astral Artist Eunice Kim (violin) will be the soloist.
This season, The Philadelphia Orchestra juxtaposed Beethoven’s path-breaking symphonies and concertos with those of the great orchestral master of the 20th century Dmitri Shostakovich...we’ll be treated to such a pairing Sunday afternoon at 1 pm.
The Philadelphia Orchestra’s current 2014 tour of Asia and Japan has been rough and tumble enough with moldering halls in remote Chinese capitals and residency activities amid challenging acoustics and blistering heat. Is that what drives some of them to jump off the top of the 700-foot Macau Tower? The Philadelphia Inquirer’s David Patrick Stearns reports what orchestra members are going to some extremes to get a break from night after night of concerts.