Join us this Sunday, October 19th at 1 pm to hear the first concert from last April's Philadelphia Orchestra Mozart Celebration, which brings us three Mozart masterpieces! With Yannick on the podium, the Orchestra will play an overture to one of Mozart's three operas set to a libretto by Lorenzo Da Ponte, Cosi fan Tutte, and then continue with the Piano Concerto No.
What a program! It's a re-broadcast of The Philadelphia Orchestra in Concert on WRTI, Sunday, October 12th at 1 pm. The Fred J. Cooper Memorial Organ and organist Michael Stairs are two of the biggest stars in a firmament of many! Philadelphia Orchestra Music Director Yannick Nézet-Séguin had to withdraw from this performance in March, but it brought conductor Alain Altinoglu to Verizon Hall at Yannick’s recommendation, and was he ever in his element!
Johannes Moser speaks with WRTI's Susan Lewis during intermission.
Yannick speaks with WRTI's Jim Cotter about the program.
Yannick Nezet-Seguin leads the Philadelphia Orchestra at Verizon Hall in a program culminating in Beethoven's monumental Symphony No. 3, "Eroica," originally intended as a grand and heroic tribute to Napoleon. Upon learning, however, that Napoleon had crowned himself Emperor of all Europe, Beethoven scratched out the dedication with such vigor that he tore through the paper. This is music that succeeds in creating a new architecture for the symphonic form, and it supplied ignition for the Romantic style in music.
Also on the program, Richard Strauss's Metamorphosen for 23 solo strings, which opens with a haunting rhythm clearly quoting the funeral march of Beethoven’s "Eroica." The intensity and pathos is that of a mature composer, nearing the end of his career, who has witnessed the World War II destruction of Europe, and stands in stark contrast to compositions of the younger Strauss we've heard in earlier broadcasts this season.
Filling out the program is Shostakovich’s Cello Concerto No. 1, written for the great cellist Mstislav Rostropovich and given its U.S. premiere (and first recording) by him with The Philadelphia Orchestra and Eugene Ormandy in 1959. Our soloist is German-Canadian cellist Johannes Moser, a young virtuoso who will perform this fiendish concerto, which, like the 10th and 11th symphonies heard elsewhere in the 2013/2014 season, was written following the death of Stalin, and marks a return to greater creative freedom for Shostakovich.
Here's Johannes Moser performing in 2011. During intermission, WRTI's Susan Lewis will speak with the young cellist.
Join us this Sunday, from 1 to 4 pm, for a Philadelphia Orchestra in Concert re-broadcast from a series of fall 2013 concerts that introduced Philadelphia audiences to three major new works commissioned by the Orchestra.
Many great composers in history wrote for the bassoon. But in the last 70 years or so, the instrument has often been associated with one particular bouncy melody from a classic animated film. As WRTI’s Susan Lewis reports, a recent premiere reminds us of the bassoon’s lyrical beauty.
On Sunday September 28, 2014, on WRTI, Daniel Matsukawa and The Philadelphia Orchestra perform David Ludwig’s Pictures from the Floating World.
The flute is one of the oldest musical instruments, with its earliest versions found thousands of years ago in different cultures. As WRTI’s Susan Lewis reports, a recently composed flute concerto celebrates one of its ancient bamboo ancestors.
On Sunday, September 28, 2014, on WRTI, Jeffrey Khaner and The Philadelphia Orchestra perform Behzad Ranjbaran’s Flute Concerto.
WRTI presents the debut episode of Philadelphia Music Makers on Sunday, September 21 from 5 to 6 pm. Elizabeth Hainen, principal harp of The Philadelphia Orchestra, launches the series.
Most of the music for Philadelphia Music Makers was recorded at WRTI's state-of–the art studios or in the German Society of Pennsylvania in Center City Philadelphia, with its lively acoustics and beautiful Bösendorfer grand piano.
Early 20th-century Italian composer, pianist, and conductor Alfredo Casella promoted music of his compatriots. As WRTI’s Susan Lewis reports, the 21st-century conductor Giandrea Noseda is shining a light on Casella’s lesser-known work.
Listen to a performance of Alfredo Casella's Barcarola e Scherzo for Flute and Piano, Op. 4 (1903):
Originally published on Wed September 3, 2014 7:57 pm
Musicologist and pianist Charles Rosen once quipped: "The death of classical music is perhaps its oldest continuing tradition." But it's tough to see much gloom when faced with the diversity of premieres and provocative programming around the country in the 2014-2015 season.