A young British conductor is developing a fruitful relationship with The Philadelphia Orchestra. WRTI's Jim Cotter reports.
Lauded for his diverse range of conducting styles and his unique sense of silence as an expressive tool, Robin Ticciati has achieved much in his 31 years. He founded a chamber ensemble while only 21, and made his La Scala debut at 22 - the youngest conductor ever to stand on the podium of Italy’s greatest opera house.
This Sunday at 1 pm, it’s the fast-paced, one-act opera Salome, among the most important musical works of the 20th century, standing out for its revolutionary use of a large-scale orchestra and virtuosic singers, as much as for its graphic depiction of this deeply psychological tale, performed in a historic, joint production by The Philadelphia Orchestra and Opera Philadelphia. It was the Orchestra’s last concert this past May, just before they departed on their China Tour.
It was a Bible story, and then a French play by Oscar Wilde. Then it was translated into German, before Strauss turned it into his opera, Salome. As WRTI’s Susan Lewis reports, a production from May, 2014 continued the evolution of this complex and compelling work of art.
On Sunday, November 2, 2014 at 1 pm on WRTI, listen to a recorded broadcast of The Philadelphia Orchestra and Opera Philadelphia performing Richard Strauss' Salome.
Bass-baritone Alan Held talks with WRTI's Susan Lewis about his character, Jochanaan (John the Baptist).
Oscar Wilde’s late 19th-century play, retelling the biblical story of Salome, became the basis for Richard Strauss' one-act opera SALOME that premiered in Dresden in 1905. As WRTI’s Susan Lewis reports, the opera continues to shock and dazzle, nearly a century later.
WRTI re-broadcasts The Philadelphia Orchestra and Opera Philadelphia in a joint production of Salome, with Camilla Nylund in the title role, on Sunday, November 2 at 1 pm.
Soprano Camilla Nylund talks with WRTI' s Susan Lewis about the character Salome, which has become one of her signature roles.
This Sunday at 1 pm, from a Philadelphia Orchestra concert this past May at Verizon Hall, Yannick is on the podium to conduct Barber’s Adagio for Strings, an ethereal meditation that has emerged as an iconic piece of 20th-century American music; Bartok’s First Violin Concerto, played by Lisa Batiashvili, one of the world’s most sought-after violinists; and the concert will conclude with that imposing orchestral cathedral of sound known as Bruckner’s Symphony No.
Join us this Sunday, October 19th at 1 pm to hear the first concert from last April's Philadelphia Orchestra Mozart Celebration, which brings us three Mozart masterpieces! With Yannick on the podium, the Orchestra will play an overture to one of Mozart's three operas set to a libretto by Lorenzo Da Ponte, Cosi fan Tutte, and then continue with the Piano Concerto No.
What a program! It's a re-broadcast of The Philadelphia Orchestra in Concert on WRTI, Sunday, October 12th at 1 pm. The Fred J. Cooper Memorial Organ and organist Michael Stairs are two of the biggest stars in a firmament of many! Philadelphia Orchestra Music Director Yannick Nézet-Séguin had to withdraw from this performance in March, but it brought conductor Alain Altinoglu to Verizon Hall at Yannick’s recommendation, and was he ever in his element!
Johannes Moser speaks with WRTI's Susan Lewis during intermission.
Yannick speaks with WRTI's Jim Cotter about the program.
Yannick Nezet-Seguin leads the Philadelphia Orchestra at Verizon Hall in a program culminating in Beethoven's monumental Symphony No. 3, "Eroica," originally intended as a grand and heroic tribute to Napoleon. Upon learning, however, that Napoleon had crowned himself Emperor of all Europe, Beethoven scratched out the dedication with such vigor that he tore through the paper. This is music that succeeds in creating a new architecture for the symphonic form, and it supplied ignition for the Romantic style in music.
Also on the program, Richard Strauss's Metamorphosen for 23 solo strings, which opens with a haunting rhythm clearly quoting the funeral march of Beethoven’s "Eroica." The intensity and pathos is that of a mature composer, nearing the end of his career, who has witnessed the World War II destruction of Europe, and stands in stark contrast to compositions of the younger Strauss we've heard in earlier broadcasts this season.
Filling out the program is Shostakovich’s Cello Concerto No. 1, written for the great cellist Mstislav Rostropovich and given its U.S. premiere (and first recording) by him with The Philadelphia Orchestra and Eugene Ormandy in 1959. Our soloist is German-Canadian cellist Johannes Moser, a young virtuoso who will perform this fiendish concerto, which, like the 10th and 11th symphonies heard elsewhere in the 2013/2014 season, was written following the death of Stalin, and marks a return to greater creative freedom for Shostakovich.
Here's Johannes Moser performing in 2011. During intermission, WRTI's Susan Lewis will speak with the young cellist.
Join us this Sunday, from 1 to 4 pm, for a Philadelphia Orchestra in Concert re-broadcast from a series of fall 2013 concerts that introduced Philadelphia audiences to three major new works commissioned by the Orchestra.
Many great composers in history wrote for the bassoon. But in the last 70 years or so, the instrument has often been associated with one particular bouncy melody from a classic animated film. As WRTI’s Susan Lewis reports, a recent premiere reminds us of the bassoon’s lyrical beauty.
On Sunday September 28, 2014, on WRTI, Daniel Matsukawa and The Philadelphia Orchestra perform David Ludwig’s Pictures from the Floating World.