The true story of a 19th-century swindler in New York City inspired not only an opera, but also a concerto. WRTI’s Susan Lewis has more on Bramwell Tovey’s Songs of the Paradise Saloon for trumpet and orchestra.
Susan Lewis: Commissioned by the Calgary Opera, Bramwell Tovey became intrigued by the life of a notorious man named Alexander Keith. Both charming and deadly, Keith swindled many, and eventually planted explosives in an ocean liner, killing 80 people.
On Sunday, February 8th, The Philadelphia Orchestra in Concert broadcast features Amsterdam-born conductor Jaap van Zweden, music director of both the Dallas Symphony Orchestra (since 2008) and the Hong Kong Philharmonic Orchestra (since 2012).
In a concert first broadcast on WRTI in May of 2013, Maestro van Zweden conducts two works composed by the Russian masters Pyotr Ilyich Tchaikovsky and Sergei Prokofiev that could hardly be more different in their purpose and effect.
The strings are the largest section of a symphony orchestra, and communicating among them to create a unified sound involves the conductor, the concertmaster, and another pivotal player. WRTI’s Susan Lewis talks with The Philadelphia Orchestra’s Juliette Kang about her position as associate concertmaster, and the lure of her instrument.
On WRTI's broadcast of The Philadelphia Orchestra this Sunday, May 12th at 2 pm, Juliette Kang will lead the strings in a program featuring Tchaikovsky's Souvenir de Florence, for string orchestra, and Prokofiev's Symphony No. 5.
Listen to Susan Lewis’ interview with Philadelphia Orchestra Associate Concertmaster Juliette Kang.
The Philadelphia Orchestra's Principal Clarinet Ricardo Morales shows off his virtuosic skills in two very different and very challenging works on the Philadelphia Orchestra In Concert broadcast, Sunday, February 1st at 1 pm.
Debussy’s Rhapsody No. 1 for Clarinet and Orchestra and Rossini’s Introduction, Theme, and Variations for Clarinet and Orchestra, are two of three 40/40 works on today’s program. And these two performances are the first, ever, by The Philadelphia Orchestra.
The Philadelphia Orchestra is hardly settling into a routine in its fourth season with Yannick Nezet-Seguin. Plans for 2015-2016 announced this week have the conductor going well beyond typical classical subscription concerts, plus engineering guest appearances that are bound to make national news. The Philadelphia Inquirer's David Patrick Stearns reports.
Join us on Sunday, January 25th at 1 pm for a Philadelphia Orchestra in Concert re-broadcast of a Verizon Hall performance first heard in December of 2013. You'll hear two delightful pieces by Tchaikovsky that feature Concertmaster David Kim as soloist: the Serenade Melancholique, and Valse-Scherzo - both personally meaningful works to Mr. Kim, who was the only American awarded a prize at the 1986 quadrennial Tchaikovsky Competition in Moscow.
Gone are the days when Cristian Macelaru (pronounced match-a-law-roo) was described as being among the most promising conductors of his generation. He's now simply one of the finest. In April 2014, Macelaru received the highly coveted Solti Fellow, one of the largest grants currently awarded to American conductors. Macelaru received the Sir Georg Solti Emerging Conductor Award in 2012, and despite becoming more established, says he’d be happy to be called a young conductor for some time to come.
On Sunday, January 18th at 1 pm, the Philadelphia Orchestra in Concert brings us the music of Respighi, Stravinsky, and Brahms, conducted by the brilliant young Finnish Maestra, Susanna Malkki, who makes her Philadelphia Orchestra debut with this performance from last November, 2014 at Verizon Hall.
This week's Philadelphia Orchestra in Concert broadcast on WRTI is led by the Finnish conductor Susanna Malkki. As WRTI's Jim Cotter reports, she brings a wealth of knowledge and experience from both sides of the podium.
In the mid '90s, Susanna Malkki was principal cello of the Gothenburg Symphony Orchestra. She says that being on the other end of the baton taught her much about conducting - specifically how every gesture made by a conductor was of tantamount importance to the musicians.
Born in Germany in 1946, Andre Watts moved to Philadelphia with his Hungarian mother and American father when he was 8 years old. As WRTI’s Susan Lewis reports, after decades of performing, the celebrated pianist still finds new inspiration and challenges in the music.