The Philadelphia Orchestra is performing a two-year cycle of Beethoven’s symphonies. As WRTI’s Susan Lewis reports, although known to generations of music lovers, these great works continue to provide insights into Western musical heritage.
Listen to more of Susan’s interview with Philadelphia Orchestra Music Director Yannick Nezet-Seguin during Intermission on Sunday, November 10th, when WRTI broadcasts the Orchestra's first subscription concert of the season at 1 pm, featuring Beethoven's Symphony No. 9. Gregg Whiteside is host and producer.
This Sunday at 1 pm on The Philadelphia Orchestra in Concert on WRTI - Music Director Yannick Nezet-Seguin takes to the podium to conduct a symphony by one of the composers who is closest to him. WRTI’s Jim Cotter has more.
On Sunday, November 10th, at 1 pm, we begin a new season of Philadelphia Orchestra In Concert broadcasts with the 2013-2014 season-opening concert from the end of September, featuring Beethoven's awe-inspiring Ninth Symphony. With its universal message of freedom and brotherhood, the Ninth is the crowning achievement of Beethoven’s revolutionary works, its famous “Ode to Joy” serving as a message of hope for all mankind. Showcasing the Westminster Symphonic Choir, and conducted by Music Director Yannick Nezet-Seguin, this performance launches a two-year cycle of all nine Beethoven symphonies.
The Choir will also appear in Beethoven’s rarely heard setting of Goethe’s Calm Sea and Prosperous Voyage, as well as the world premiere of the young American composer Nico Muhly’s newly orchestrated Bright Mass with Canons for chorus, orchestra, and featuring the Fred J. Cooper Memorial Organ.
During intermission, WRTI's Susan Lewis speaks with Yannick about the program, and the new season, and Jim Cotter sits down with both tenor Chrisistian Elsner and bass-baritone Shenyang, both of whom play very important roles in this concert.
Not to be missed! Be with us on Sunday, November 10th, for the new season of Philadelphia Orchestra In Concert broadcasts, from 1 to 3 pm on WRTI. Gregg Whiteside is host and producer.
This Sunday at 1 pm on WRTI, it's a performance of Anton Bruckner's Symphony No. 7 by The Philadelphia Orchestra. The work, and the composer, are very close to Yannick's musical heart.
Paired with Wagner's tender Siegfried Idyll, you're in for an orchestral treat, in this rebroadcast of a Verizon Hall concert first heard last January, and broadcast a week after the death of the Orchestra's Conductor Laureate Wolfgang Sawallisch.
The Philadelphia Orchestra is launching a mini festival of new concertos this week. But instead of the typical violin, piano, or cello soloists, the orchestra's principal harp, bassoon, and flute will be out in front, in pieces that, as The Philadelphia Inquirer’s David Patrick Stearns reports, promise to be anything but more of the same.
Following a weekend of Philadelphia Orchestra concerts at Verizon Hall under guest conductor Rafael Freuhbeck de Borgos, be sure to join us this Sunday afternoon at 1 pm to hear a rebroadcast of a concert from this past February that featured Maestro Freuhbeck conducting one of his signature works, Carmina Burana!
The Philadelphia Orchestra In Concert program also includes Haydn’s Symphony No. 1, and the ever-popular Jan Nepomuk Hummel Trumpet Concerto, performed by the Orchestra’s Principal Trumpet David Bilger.
While there are many concertos for string instruments, fewer works exist for woodwinds, brass or percussion. Yet, as Susan Lewis reports, a previously under-performed work for trumpet from the early 19th century became part of the standard repertoire in the second half of the 20th.
This Sunday afternoon at 1 pm, join us for a rebroadcast of a Verizon Hall concert from this past February, which featured the return to Philadelphia of André Watts, who joins forces with the revered Maestro Raphael Frühbeck de Borgos for a performance of Beethoven's grandest piano concerto, the Fifth - the "Emperor." Also on the program, Hindemith's Concert Music for Strings and Brass, a delicate orchestration by Stokowski of Bach's "Sleepers Awake," and the most popular of Liszt's symphonic poems, Les Preludes.
David Patrick Stearns reports on how The Philadelphia Orchestra turned the cancellation of a high-profile concert in New York City, into a triumphant civic celebration in Philadelphia. This, just days after an enthusiastic, 5,000-strong crowd gathered on Independence Mall to witness Opera Philadelphia’s season-opening production.