One of the highlights of the 2014-15 Philadelphia Orchestra concert season was the pairing of works by Beethoven and Manuel de Falla, originally scheduled for the late Rafael Frühbeck de Burgos, to whom the concert was dedicated.
Rafael Fruhbeck de Burgos, who passed away in June, 2014, had a longtime relationship with The Philadelphia Orchestra. As WRTI’s Susan Lewis reports, The Philadelphians performed a concert dedicated to his memory last February, led by someone for whom the late conductor was a mentor. WRTI will broadcast that concert on Sunday, May 24th, 2015.
Susan Lewis: In late 2013, Rafael Fruhbeck de Burgos conducted two weeks of concerts that marked his 150th performance with The Philadelphia Orchestra, and expressed his joy in making music with this ensemble.
This spring's Philadelphia Orchestra tour destination isn't Beijing, but Berlin and nine other musical capitals of Europe. Between May 21st and June 6th, audiences will hear the level of music making that local listeners have known for three years under Yannick Nezet-Seguin. The Philadelphia Inquirer's David Patrick Stearns reports what is in store.
David Patrick Stearns: The biggest danger of the 2015 Philadelphia Orchestra tour of Europe is that the rest of the orchestra's year might seem like a letdown – to judge from Yannick Nezet-Seguin's state of elation.
Yannick Nezet-Seguin conducts works by Haydn, Beethoven, and Vaughan Williams on this Sunday's Philadelphia Orchestra in Concert broadcast - a live concert recording from March, 2015 at Verizon Hall.
You'll hear one of Haydn’s most ambitious essays, the Symphony No. 92, known as the “Oxford” because he conducted a performance at the illustrious University in July 1791, when he was awarded an honorary Doctor of Music.
Join us this Sunday, May 10th, for WRTI's Philadelphia Orchestra in Concert broadcast, which pairs the music of Philadelphia’s own Jennifer Higdon, one of today’s leading composers, with one of her personal favorites: Claude Debussy.
You're in for a big treat today! We're designating a whole day of programming to our own Philadelphians - from 6 am to 6 pm. Throughout the day during classical hours, you'll hear Philadelphia Orchestra recordings under Music Directors Leopold Stokowski, Eugene Ormandy, Riccardo Muti, Wolfgang Sawallisch, Christoph Eschenbach, and Yannick Nezet-Seguin.
It’s always a special occasion when Philadelphia native Sarah Chang appears with The Philadelphia Orchestra. And she’ll be here on May 7, 8 and 9 for performances of Antonin Dvorak’s Violin Concerto, conducted by the Philadelphia Orchestra's Conductor-in-Residence Cristian Macelaru.
A native of Bohemia, Antonín Dvořák (1841-1904) was a minority in the Austrian Empire and in the classical music world. But he had risen to the top of it all when a millionaire patroness hired him to direct the brand-new National Conservatory of Music of America in New York City. It would train all students without regard to race or ability to pay. There, in 1893, Dvořák’s eyes were opened to the possibilities of an "American" music.
Four compositions, notable for their unusually imaginative explorations of distinctive sound worlds, are all featured on WRTI's Philadelphia Orchestra in Concert broadcast this Sunday, April 26 at 1 pm.
On the podium is guest conductor Robin Ticciati, principal conductor of the Scottish Chamber Orchestra, who directs the radiant opening to Wagner's opera Lohengrin, the Prelude to Act I, depicting the gradual unveiling of the Holy Grail, attended by a host of angels.
The word percussion comes from the Latin word percussionem, meaning 'to strike.' But as WRTI’s Susan Lewis reports, playing percussion in a symphony orchestra also requires rhythm, musicality, and physical grace.
Percussion instruments can keep the beat, but they also add color. Angela Zator Nelson is The Philadelphia Orchestra’s associate principal timpani and a member of the percussion section.