Join us on Sunday, March 29 at 1 pm for a broadcast from the final week of The Philadelphia Orchestra’s recent St. Petersburg Festival, celebrating the great master of the third generation, Dmitri Shostakovich.
The largest member of an orchestra’s brass section was invented in the 1830s to play low and powerful notes. But, as WRTI’s Susan Lewis reports, the tuba has a surprising range and versatility. Susan spoke with Philadelphia Orchestra Principal Tuba Carol Jantsch for some insight into the world of the tuba.
Jantsch's recordings include her 2009 solo album, Cascades, and Reflections on the Mississippi, a new CD featuring a tuba concerto written by Michael Daugherty for Jantsch and the Temple University Symphony Orchestra.
Hungarian pianist and composer Bela Bartok was born on March 25th in the year 1881. As WRTI’s Susan Lewis reports, he is revered by a prominent contemporary composer who is building on Bartok’s legacy.
Tan Dun's Nu Shu: The Secret Songs of Women was premiered in the U.S. by The Philadelphia Orchestra this season, and broadcast on WRTI in December, 2013.
Join us for a very special treat on Sunday, March 22nd as our Philadelphia Orchestra broadcast comes to you LIVE from Verizon Hall at 2 pm - an hour later than usual - in a concert featuring violinist Nadja Salerno-Sonnenberg, a Philadelphia favorite since she debuted with the Orchestra at the age of 10.
She joins conductor Gianandrea Noseda for a performance of Mendelssohn’s Violin Concerto, one of the most popular works in the violin repertory.
You never know where you're going to run into The Philadelphia Orchestra. An earthquake zone in China? Tokyo's Suntory Hall? Last week, as The Philadelphia Inquirer's David Patrick Stearns reports, it was the Reading Terminal Market, where 11 string players crowded into the lunchtime bustle and invited everyday people to try their hand at conducting.
It was 88 years ago - on March 18, 1927 - that The Philadelphia Orchestra played the first performance of Sergei Rachmaninoff’s Piano Concerto No. 4 at the Academy of Music. The composer revised the concerto in 1928. And, in 1941, The Philadelphians premiered yet another revised version - the final one.
As WRTI’s Susan Lewis reports, the strong bond between The Philadelphia Orchestra and the Russian composer, pianist, and conductor was forged through this and other works.
One of the most loved and exciting works in the orchestral repertoire is The Planetsby Gustav Holst. But, as WRTI’s Kile Smith reports, the way we hear it now is not the form in which audiences first heard it.
For such an immediately successful work, and for one that is central to the orchestral repertoire, The Planets by Gustav Holst took a long time to get off the ground.
We have quite a broadcast in store for you on Sunday, March 15th, at 1 pm! The Philadelphia Orchestra In Concert will feature Week Two of the ensemble’s St. Petersburg Festival, from late January of this year. Yannick Nezet-Seguin conducts.
One popular work in the orchestral repertoire was written by a Russian composer and then orchestrated decades later by a Frenchman. As WRTI's Susan Lewis reports, this version had its first performance in October in Paris in 1922. The music describes a stroll through the gallery - a promenade - with ten specific images brought to life.
Six of the drawings and watercolors that inspired Mussorgsky have survived. The first performance of Pictures at an Exhibition as orchestrated by Ravel took place in Paris on October 19th in 1922.