Pennsylvania Ballet, this week, performs the penultimate program of its 50th-anniversary year. As WRTI’s Susan Lewis reports, the season reflects a philosophy that encourages innovation while building on tradition and the specific talents of the company.
Pennsylvania Ballet is celebrating its 50th anniversary year. As WRTI’s Susan Lewis reports, the season starts with a full-length evening ballet by master choreographer George Ballanchine, with whom the company has had a long-standing personal and artistic connection. Ballanchine's Jewels is inspired by the artistry of jewelry designer Claude Arpels, and unfolds in three distinct sections – Emeralds, Rubies, and Diamonds – each with its own music and mood. The season also includes works by Jerome Robbins and William Forsythe, and two world premieres.
Classical ballet, like its sister art form classical music, is rooted in classic, older repertoire. But as WRTI's Jim Cotter reports, the region's premiere ballet company is stepping away from conventional works for a season-ending program by three living choreographers who have their own distinctive takes on the intersection of contemporary and traditional ballet.
Pennsylvania Ballet’s latest production, A Midsummer Night's Dream, will be the first to be prepared and rehearsed in its new $17.5 million, purpose-built home on North Broad Street. As WRTI’s Jim Cotter reports, the company has also revived its ballet school and is celebrating its 50th anniversary.
Jim Cotter speaks with Pennsylvania Ballet Principal dancer Arantxa Ochoa. After 16 years with the company, 11 of those in leading roles, Ochoa will retire from the stage after dancing the title role in Giselle, the ballet’s season-opening production.
Philadelphia, PA – WRTI's Susan Lewis considers George Frideric Handel's iconic 18th-century oratorio and its interpretation in dance as the Pennsylvania Ballet presents choreographer Robert Weiss' MESSIAH, set to the music of Handel. The final performances of MESSIAH, at the Academy of Music, are on March 17th.