Different quartets evoke different textures on Now Is the Time, Saturday, November 22nd at 9 pm at wrti.org and WRTI-HD2. Geology dominates Paul Lansky's Textures. It's for two pianists and two percussionists, and movement titles use words like striations, substrates, granite, and round-wound (makes me think of bass guitar strings). Hammering keyboards and lyrical mallets comprise this unusual foursome.
Philip Glass composed a string quartet, his fourth, in memory of the artist Brian Buczak, who died in 1987, and was a friend. The lilting, pulsing music carries a smooth sadness as its predominant Glassian texture; the great quartet Kronos brings this to us to close the program.
Let's have suites before Halloween on Now Is the Time, Saturday, October 25th at 9 pm at wrti.org and WRTI-HD2. A Prelude, Sarabande, Burlesca, and Gigue make up the Partita (just another name for suite) for piano by Anthony Iannaccone. Guitarist David Starobin loves playing the music of Paul Lansky for, besides being a wonderful composer, Lansky also plays the guitar and knows the instrument very well. The recipe for his Semi-Suite includes Putative Prelude, Aimless Air, Crooked Courante, Shameless Sarabande, Awkward Allemande, and Partly Pavane.
Philadelphia composer Harold Boatrite's Lyric Suite for Piano is from his piano and harpsichord CD of a few years back, Sonatas & Suites. Andy Teirstein boils down a work for multiple strings, written for an outdoor procession, to a string quartet, for the final work on our program, simply, Suite.
from Charles Ruggiero: Three Blues for Saxophone Quartet
Reaching inside helps to explain what surrounds us on Now Is the Time, Saturday, May 31st at 9 pm at wrti.org and WRTI-HD2. The poet and resistance fighter Avrom Sutzkever wrote the powerful words David Garner sets in Vilna Poems, for voice, clarinet, cello (Matt Haimovitz here), and piano. Paul Lansky, recently retired from a stellar career at Princeton, honors teachers, friends, and influences in Notes to Self for piano. Echoing throughout are George Perle, Milton Babbitt, Stravinsky, and Ravel, who moderates a conversation between Hindemith and Messiaen!
The blues often come around when we look inside, so we take a turn there for the final work. But even the blues can be light blue. Jazz subtle and not-so infuses Three Blues for Saxophone Quartet by Charles Ruggiero.