Everything's numbered on Now Is the Time, Saturday, February 21st at 9 pm. Rudy Davenport comes up with Seven Innocent Dances for harpsichord, and for piano are the Bagatelles of Paul Chihara, subtitled Twice Seven Haiku.
The Ancia Saxophone Quartet performs David Bixler's Heptagon, and Joel Chadabe electronically modifies the playing of Esther Lamneck on the tarógató, the Hungarian single-reed instrument related to the saxophone, in Many Times Esther. Lucas Ligeti writes about three places he's visited in Triangulation, for the electronic percussion instrument called marimba lumina.
It is spring, finally, we hope, we really do, on Now Is the Time, Saturday, March 22nd at 9 pm at wrti.org and WRTI-HD2. It engenders all sorts of good thoughts as we consider Circling Permutations, a flute and double bass improvisation by Robert Ackerman, and a concert rag for piano, Spring Beauties, by Brian Dykstra. Always elegant, the music of Paul Chihara seems appropriate for our turn to the warmth; we’ll hear his String Trio.
Avner Dorman brings along his Azerbaijani Dance for piano, and if you feel like a play on words, David Gunn’s always good for that, so a Missing Inn March could fit the bill this month. New music for old instruments symbolize a change of seasons; Will Ayton’s Songs of the British Isles is for the consort of viols, Parthenia. And in a similar vein, Dick Hensold breaks out his Northumbrian pipes for First Leaves of Spring.