Richard Nixon, Patty Hearst, and J. Robert Oppenheimer are just three of the historic figures that have been portrayed on the modern opera stage. Next is the most beloved icon of all, John F. Kennedy, in an opera that will premiere in Fort Worth, but is being partly developed by Opera Philadelphia. The Philadelphia Inquirer's David Patrick Stearns is finding out just what might make JFK sing.
This Sunday at 1 pm, it’s the fast-paced, one-act opera Salome, among the most important musical works of the 20th century, standing out for its revolutionary use of a large-scale orchestra and virtuosic singers, as much as for its graphic depiction of this deeply psychological tale, performed in a historic, joint production by The Philadelphia Orchestra and Opera Philadelphia. It was the Orchestra’s last concert this past May, just before they departed on their China Tour.
It was a Bible story, and then a French play by Oscar Wilde. Then it was translated into German, before Strauss turned it into his opera, Salome. As WRTI’s Susan Lewis reports, a production from May, 2014 continued the evolution of this complex and compelling work of art.
On Sunday, November 2, 2014 at 1 pm on WRTI, listen to a recorded broadcast of The Philadelphia Orchestra and Opera Philadelphia performing Richard Strauss' Salome.
Bass-baritone Alan Held talks with WRTI's Susan Lewis about his character, Jochanaan (John the Baptist).
Oscar Wilde’s late 19th-century play, retelling the biblical story of Salome, became the basis for Richard Strauss' one-act opera SALOME that premiered in Dresden in 1905. As WRTI’s Susan Lewis reports, the opera continues to shock and dazzle, nearly a century later.
WRTI re-broadcasts The Philadelphia Orchestra and Opera Philadelphia in a joint production of Salome, with Camilla Nylund in the title role, on Sunday, November 2 at 1 pm.
Soprano Camilla Nylund talks with WRTI' s Susan Lewis about the character Salome, which has become one of her signature roles.
The Barber of Seville is on the verge of a nervous breakdown. Opera-goers always kind of knew that. But in Opera Philadelphia's new production, the setting is being brought forward 200 years to modern Spain - where passion crosses the line into...who knows? The Philadelphia Inquirer's David Patrick Stearns reports.
Originally published on Wed September 3, 2014 7:57 pm
Musicologist and pianist Charles Rosen once quipped: "The death of classical music is perhaps its oldest continuing tradition." But it's tough to see much gloom when faced with the diversity of premieres and provocative programming around the country in the 2014-2015 season.
Whenever Charlie Parker played a solo, you knew you'd feel good by the end. Opera Philadelphia is jumping off an even higher dive - an opera about the celebrated saxophonist, titled Charlie Parker's Yardbird that the Philadelphia Inquirer's David Patrick Stearns reports will bring many unexpected things to the Perelman Theater at its 2015 premiere.
The Philadelphia Orchestra has played unstaged concert versions of operas before...but never like this. The opera isSalome, with the famous "Dance of the Seven Veils." And how can singers stand still for that? The Philadelphia Inquirer’s David Patrick Stearns reports on how Verizon Hall is being turned into an opera house.
Don Juan, one of fiction's most infamous scoundrels, returns to the opera stage in Philadelphia next week. As WRTI's Jim Cotter reports, Opera Philadelphia's latest production is also a showcase for singers who learned their craft in the city.
Whenever Charlie Parker played a solo, you knew you'd feel good by the end. Opera Philadelphia is jumping off an even higher dive - an opera about the celebrated saxophonist, titledCharlie Parker's Yardbirdthat the Philadelphia Inquirer's David Patrick Stearns reports will bring many unexpected things to the Perelman Theater at its 2015 premiere.