Opera Philadelphia

Credit: Opera Philadelphia

WRTI’s Meridee Duddleston considers a question of operatic proportion, with notable librettist Mark Campbell.

Opera Philadelphia's production of Charlie Parker's YARDBIRD tells the compelling story of a legendary jazz icon in a way that's meant to broaden and diversify opera’s audience. The role of saxophonist Charlie Parker was composed by Daniel Schnyder with tenor Lawrence Brownlee in mind.

This Sunday at 1 pm, it’s a memorable re-broadcast from 2014 of the fast-paced, one-act opera Salome. Among the most important musical works of the 20th century, it stands out for its revolutionary use of a large-scale orchestra and virtuosic singers, as much as for its graphic depiction of this deeply psychological tale. It's performed in a historic, joint production by the Philadelphia Orchestra and Opera Philadelphia.

Rossini’s Tancredi is seldom heard, so opera audiences may only be curious. But the singers can’t wait, and the Philadelphia Inquirer’s David Patrick Stearns tells why. Stephanie Blythe sings the title role in Opera Philadelphia's production of Tancredi on Feb. 15, 17, and 19.

Opera Philadelphia and the Apollo Theater present Charlie Parker’s YARDBIRD, composed by Daniel Schnyder with a libretto by Bridgette A. Wimberly, in a New York premiere marking the first time opera is performed on the Apollo Theater stage, and the first time Opera Philadelphia produces in New York City. Listen on WRTI, Saturday, November 19th at 1 pm.

This Saturday and Sunday, November 19th and 20th, is a Philadelphia weekend like no other on WRTI. Before Thanksgiving is upon us, we’re giving thanks for some of the great Philadelphia ensembles, instrumentalists, singers, and composers all weekend long!

Bravissimo for Opera Day on WRTI!

Nov 7, 2016

Opera Day is over...we hope you enjoyed it! If you'd like to pledge and support opera on WRTI there's still time to make a difference. Pledge online, or call 1-866-809-9784. Thank you!

Opera Philadelphia’s latest new opera Breaking the Waves turned into one of the company’s big successes. The Philadelphia Inquirer’s David Patrick Stearns considers how this story of a Scottish woman whose marital devotion takes her to a sordid end could be something to sing about.

This week, a new opera based on the popular but controversial Lars von Trier film, Breaking the Waves, opened in Philadelphia. With its potent combination of sex, religion and transgression, the subject matter seems ripe for operatic treatment.

Robert Blackson

The Pew Center for Arts & Heritage has just announced its 2016 grants, totaling more than $10 million to support 53 artists and cultural organizations. The list of grantees includes a wide variety of artistic disciplines and work from major institutions as well as individual artists and community-driven organizations. A full list of grantees is available here.

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