This morning the New York City Opera announced that it was declaring bankruptcy and ceasing operations. Dubbed "The People's Opera" by Mayor Fiorello LaGuardia when it was founded 70 years ago, the company was meant as an alternative to the richer Metropolitan Opera. It's the place where exciting young singers like Beverly Sills and Placido Domingo made their New York debuts and where innovative productions of new operas premiered.
Pamela Armstrong (left) as Alice Ford and Heather Johnson as Meg Page in New York City Opera's production of <em>Falstaff. </em>The so called people's opera may have to cancel its upcoming season if fundraising falls short.<em></em>
Credit Carol Rosegg / New York City Opera
The U.S. premiere of<em> Anna Nicole </em>is set to open at the Brooklyn Academy of Music — BAM — on Sept. 17. Above, a 2011 performance of <em>Anna Nicole</em> at the Royal Opera House in London.
There are a lot of operas that end with heroines on their deathbeds, singing one glorious aria before they die. That's what happens at the end of Anna Nicole, the controversial new work that New York City Opera is presenting at the Brooklyn Academy of Music in September. But the company's artistic director and general manager, George Steel, says it could also be City Opera's last gasp.