Music Features

Now Is the Time
11:30 am
Fri September 26, 2014

Voices of Autumn

includes Jackson Hill's Voices of Autumn

Say hello to fall on Now Is the Time, Saturday, September 27th at 9 pm at wrti.org and WRTI-HD2. Jonathan Miller conducts Chicago a cappella in his setting of The Fall, a little poem about a boy, holding leaves over his head, pretending to be a tree. When he drops them, his parents say, "Look, it is fall." Composer/harpist Anne LeBaron joins with shakuhachi and koto in her trio Into Something Rich and Strange, and Ursula Oppens plays a piece that John Corigliano made up out of improvisations, Winging It.

Chanticleer sings the Buddhist chant–inspired Voices of Autumn by Jackson Hill, and from the CD As Falling Leaves comes Arabesques of Adolphus Hailstork, for flute and mallet percussion. Finally, the change in seasons reminds us of Keeping Time, which just happens to be the title of a work from Dan Becker's new CD, Fade.

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A magical voice and a magnetic persona
2:03 pm
Tue September 23, 2014

Soprano Jessica Lennick Hosts Philadelphia Music Makers on WRTI: Sept. 28, 5 PM

Soprano Jessica Lennick
Britt Olsen-Ecker Photography

Still ascending the steep trajectory of a mid-career opera singer, Jessica Lennick feels compelled to keep at her craft. Why? Because it's her calling to do so.

A local singer with a growing stature, Jessica's next major project is the title role in a new opera about the sex life of philosopher and novelist Ayn Rand, composed by Melissa Dunphy.

Listen to Jessica's story, in her own words, and hear her perform on WRTI's Philadelphia Music Makers, Sunday, September 28th, 5 to 6 pm.

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Now Is the Time
11:56 am
Fri September 19, 2014

Dancing Loops

Two versions of the same piece encircle Now Is the Time, Saturday, September 20th at 9 pm at wrti.org and WRTI-HD2. Mathew Rosenblum wrote Möbius Loop for saxophone quartet and for saxophone quartet with orchestra—we'll hear both versions, one at the beginning of the show, and one at the end. The Raschèr Saxophone Quartet leads the way, with Gil Rose's Boston Modern Orchestra Project.

Electro-acoustical music of Rand Steiger is 13 Loops, with digital processing of some of the sounds accompanying the performers as they play. Paring all the way down to a single flute, however, is Whirlwinds Dancing by R. Carlos Nakai. Lisamarie McGrath solos on the Native American flute; the characteristic chiff at the beginning of the notes charm us into a circling reverie.

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Now Is the Time
12:50 pm
Fri September 12, 2014

Dead Man Walking

Masks are worn and removed on Now Is the Time, Saturday, September 13th at 9 pm at wrti.org and WRTI-HD2. The flutist and composer Katherine Hoover has greatly expanded the literature for her instrument with genial yet focused music. Masks, for flute and piano, includes the movements Haida Indian mask, Huichol Jaguar mask, Afro-American Death mask, and Clown mask. It succeeds in being charming and self-effacing at the same time.

The mask worn by murderer Joseph De Rocher slowly slips as Sister Helen Prejean visits, counsels, and shows love to him in Dead Man Walking, Jake Heggie's opera from just a few years ago. We have time for excerpts from both acts, including the riveting ending, with his confession and the echo of a gospel song. Joyce DiDonato, Philip Cutlip, and Frederica von Stade head the cast.

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Discoveries from the Fleisher Collection
5:42 pm
Fri September 5, 2014

Philadelphia Premieres: Four Composers, Three Countries

Miranda—The Tempest (1916), John William Waterhouse

On Discoveries from the Fleisher Collection, Saturday September 6th, 5-6 pm...We continue to admire the scope of the Fleisher Collection, with a look at four more works premiered in Philadelphia by the Symphony Club, founded in 1909 by Edwin A. Fleisher. He had traveled throughout Europe to collect all the orchestral scores and parts possible to obtain for his collection, now housed in the Free Library of Philadelphia. A trip for us through three countries provides a good taste.

Anatol Lyadov from Russia and Ernest Chausson from France were both born in 1855 and the works we’ll hear today were composed within a year of each other. In the Ballade (From Olden Times), which Lyadov composed originally for solo piano, he addressed what many other composers were addressing in Russia: music that was specifically, undeniably Russian. Nationalism can have a negative connotation, but the impulse is innocence itself, being the search for your own origin. In music this translates into the search for a folk language unsullied by commercialism and unaffected by outside influences. This going back to go forward, this building of a musical personality on a foundation in your own soil, is musical nationalism, and is heard to warm effect in Lyadov. He orchestrated the Ballade in 1906.

There’s no denying the Frenchness of Chausson, yet he turned for inspiration to that most English of authors—and ironically, the most international—Shakespeare. We’ve looked at The Bard in the Fleisher Collection through Hamlet, Falstaff, Macbeth, and others; this time it’s Chausson’s incidental music Two Dances from The Tempest.

Staying in France but turning to Gabriel Pierné, we find an unexpected connection. There is not a lot of Pierné orchestral music, so this is a good opportunity to meet him through Ramuntcho, also composed for a play. It is filled with the exotic sounds of the Basque region as the smuggler Ramuntcho, in between forays into Spain, loves, and loses, Gracieuse. The play was a success in large part because of Pierné’s music.

He was also a widely regarded organist, being César Franck’s student and successor at the Saint Clotilde Basilica in Paris. As a conductor he led the premiere of Stravinsky’s groundbreaking Firebird ballet. So what is the surprise? Stravinsky's composing job had earlier been offered to, and turned down by, Anatol Lyadov.

We’ll end this journey with our own excursion into Spain, and Joaquín Turina’s Danzas Fantasticas. As Lyadov and many other composers have done, Turina wrote this work first for piano, and orchestrated it later. He lived in Paris himself for a while, studying with Vincent d’Indy and getting to know Debussy and Ravel. Back in Spain, he composed among other works these dances, operas, and music for guitarist Andrés Segovia.

The sound of Spain is as marked in Turina as is France’s and Russia’s in our other composers today. Edwin Fleisher reveled in collecting as much orchestral music from as many countries as he could, and it would be at his Symphony Club concerts that these works were first heard in Philadelphia.

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Now Is the Time
3:23 pm
Fri August 29, 2014

Labor Day Weekend on Now Is the Time

Maybe this weekend you're traveling with Now Is the Time, Saturday, August 30th at 9 pm. We start with City Columns for orchestra by Shawn Crouch, and then go way, way out with Michael Daugherty's percussion concerto UFO. Evelyn Glennie solos, sometimes on unidentified pieces of metal, in the work that's all about Roswell and Area 51 and improvising in front of a large wind ensemble.

It's also the time of year for going back to school, and Matthew McCabe remembers his first music teacher in Everything Must Be Beautiful. The homage uses her voice, together with electronically processed sounds, in glorious, retro, two-channel tape. Whether you're here or far, far away (we stream online!), and whether you study, teach, work, or rest, have a great weekend!

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The Philadelphia Orchestra in Concert
3:54 pm
Mon August 25, 2014

The Philadelphia Orchestra in Concert on WRTI: Helene Grimaud Plays Brahms, August 31 at 1 PM

Pianist Helene Grimaud

This Sunday afternoon it's a concert from last December at Verizon Hall, with guest conductor Michael Tilson Thomas  and pianist Hélène Grimaud in a performance with The Philadelphia Orchestra featuring the Brahms Piano Concerto No. 1, and the Symphonie fantastique of Hector Berlioz. The concert had been performed only days earlier at Carnegie Hall in New York City, and the reviews were sensational.

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Now Is the Time
10:46 am
Fri August 22, 2014

String Circle

All kinds of strings are circling on Now Is the Time, Saturday, August 23rd at 9 pm at wrti.org and WRTI-HD2. The Minneapolis Guitar Quartet starts off with Daniel Bernard Roumain's homage to places he's lived and loved. Ghetto Strings visits Harlem, Liberty City in South Florida, the Motor City, and the land of his parents, Haiti. Ethel is the string quartet playing String Circle 1 by Kenji Bunch, who, since he's also an accomplished violist, knows his way around strings.

But we go to Phillip Rhodes for a solo viola dance suite, and inspired by Bach. It's the Partita, from 1977. Full circle is how we'll finish the show, with guitars, but this time two of them, the wonderful Anderson-Fader Duo. From their CD Le Cirque is Fantasy on 12 Strings by Martin Rokeach.

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Crossover
12:03 pm
Thu August 21, 2014

Pianist Mirian Conti: Remembering Argentina

The Argentinian-American pianist Mirian Conti released her second album on the Steinway & Sons label in 2012. Nostalgias Argentinas is a statement...one that has been the subject of many books, plays, and theses.

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Crossover
7:36 pm
Fri August 8, 2014

The Sensational Serafin String Quartet

Serafin String Quartet includes Esme Allen-Creighton, Lawrence Stomberg, Lisa Vaupel, and Kate Ransom.

This week on Crossover it's a re-broadcast from 2013. Our guests are the musicians of the Serafin String Quartet. Renown worldwide for their excellent music making and lively, infectious performances, the quartet is in residence at the University of Delaware's College of Arts and Sciences. 

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