At first, “I really wanted to play the clarinet,” admits flutist Megan Emigh (pronounced AY-mee), who is principal flute for Symphony in C. She explains that the idea was to start, at age 4, on flute, and then switch later to the differently pitched clarinet, where a player has to learn how to transpose. But she liked the flute (even though her older sister already played one). “I never switched!”
It's funny. Just when you think you know someone inside out and upside-down, you're hit with the realization that you really only know half the story. That's Jose Serebrier. The 76-year-old, Uruguayan-born Serebrier is one of the best-known and most-frequently recorded conductors of his generation. But, did you know he is also quite a prolific and accomplished composer? He is. So much so that he considers himself not a conductor who also composes, but a composer who also conducts.
New York Philharmonic Music Director Alan Gilbert walks across Lincoln Center Plaza to conduct the Metropolitan Opera in this perennial favorite of Mozart'sDon Giovanni.Peter Mattei is the rakish Don, Elza van den Heever is Donna Anna, Luca Pisaroni as Leporello declaims his catalog aria, and James Morris takes Don Giovanni to his judgment as The Commendatore.
It’s all whispers and shadows on Now Is the Time, Saturday, February 28th at 9 pm. Deliciously riffing on Shakespeare takes us to where comedy, tears, and romance meet, in Daron Hagen’s Much Ado for orchestra. JG Thirlwell produces sweeping cinematic drama in his Brooklyn studio with 10 Ton Shadow, and the glorious sounds of Chanticleer revolve William Byrd around Walt Whitman’s “Whispers of Heavenly Death” in Whispers by Steven Stucky.
The Boston Modern Orchestra Project performs Lewis Spratlan’s Apollo and Daphne Variations, an extensive metamorphosis on the myth of change to escape predation. Carleton Macy closes the program with Elusive Dreams for saxophone quartet.
Join us on Sunday, March 1st at 1 pm for The Philadelphia Orchestra In Concert on WRTI. In this January, 2015 concert, Christoph Eschenbach, Philadelphia Orchestra music director from 2003 to 2008, returns to Verizon Hall to lead this all-German program. And the Orchestra’s principal horn Jennifer Montone plays the Richard Strauss Horn Concerto No. 1.
The New York Times calls Alisa Weilerstein the "sovereign of the American cello," and continue, "it’s not technical brilliance that makes Alisa Weilerstein’s recording of Dvorak’s much-loved cello concerto special, though the young American cellist has it in spades. It’s the take-no-prisoners emotional investment that is evident in every bar, but never more so than in the heart-wrenching slow movement, where Ms. Weilerstein’s cello appears to take on human shape."
When Michael Stairssits at the organ console, the result is nothing but perfection. He is indeed the organist's organist. Stairs has been organist for The Philadelphia Orchestra since his appointment by Riccardo Muti in 1985. He taught at the Haverford School for 25 years and was beloved by his students. A graduate of Westminster Choir College, he also holds an Artist's Diploma from the Curtis Institute of Music.
Everything's numbered on Now Is the Time, Saturday, February 21st at 9 pm. Rudy Davenport comes up with Seven Innocent Dances for harpsichord, and for piano are the Bagatelles of Paul Chihara, subtitled Twice Seven Haiku.
The Ancia Saxophone Quartet performs David Bixler's Heptagon, and Joel Chadabe electronically modifies the playing of Esther Lamneck on the tarógató, the Hungarian single-reed instrument related to the saxophone, in Many Times Esther. Lucas Ligeti writes about three places he's visited in Triangulation, for the electronic percussion instrument called marimba lumina.
Join us this Sunday, February 15th for WRTI's Philadelphia Orchestra in Concert broadcast. You'll hear a performance from this past December, 2014 that saw British composer, conductor, and pianist Bramwell Tovey performing in all three roles!