It’s flickering light and melting images on Now is the Time, Sunday, November 4th at 10 pm. Eric Moe channels the Nightingale ode of Keats by way of flute and piano, and Joseph Waters rocks Vivaldi to a fare-thee-well through a violin and band.
Bertolozzi makes a very large object (the Mid-Hudson Bridge) sing, Stucky does the same with an orchestra, and Neuburg and Amirkhanian mesmerize one violin into receding reflections of shimmering voices.
Through the 1980s and '90s, Chris Botti had a relatively successful career as an in-demand session musician and sideman, and as a composer and producer. Then, in 2001, after he signed to Columbia Records, the stars aligned; since that time he's gone from strength to strength garnering worldwide acclaim as a live performer and selling millions of records.
WRTI's Jim Cotter caught up with the superstar trumpeter when Botti was in town to play with The Philadelphia Orchestra.
On Claude Debussy's 150th birthday - August 22nd - Philadelphia flutist Mimi Stillman (founder/director of Dolce Suono Ensemble), began a yearlong odyssey with an unaccompanied flute work of Debussy's titled Syrinx; she'll play the piece every single day in various locations, and post videos of her "Syrinx Journey" project on her website.
The Philadelphia Inquirer’s David Patrick Stearns reports for WRTI.
The unique sounds of India fill the airwaves with violins and ancient Carnatic bamboo flute, tabla, mridangam, kanjira, dholak, Khamaicha and mesmerizing improvised ragas sung and played by celebrated Indian musicians. Guests on Crossover are Raji Venkatesan, president of Sruti: The India Music and Dance Society; Kiranavali Vidyasankar, Carnatic music teacher, writer and performer; and Steven Hopkins, professor of religion at Swarthmore college, whose interest in Hinduism has taken him to India and drawn him to Carnatic music.
It's ten people hovering over a piano on Now is the Time, Sunday, October 28th at 10 pm. Stephen Scott wrote Paisajes Audibles, Spanish for "Sounding Landscapes," for his Bowed Piano Ensemble and soprano Victoria Hansen. The Spanish, French, and English texts are inspired by the physical landscape Scott has seen on the Canary Islands, and the inner landscapes of imagination.
The "bowed" piano, played with guitar picks, horsehair, fishing line, and percussion mallets, sings like an orchestra. Or a steel drum band. In it you'll hear the voice of jazz, flamenco, West African music, and Terry Riley. It is fun, it is evocative, it is mesmerizing.
Lang Lang delivers in his newest release: The Chopin Album, on the Sony Classical label. When I met him several years ago he was being hailed as a great find, but he was also stretching out to young people as an ambassador for UNICEF. A big heart and a big talent, neither of which has diminished, spurs Lang Lang on to perform a special one-night concert on Tuesday October 30th at 6:30 p.m. at Carnegie Hall's Stern Auditorium.
The Budapest String Quartet has always been my standard-bearer for chamber music. I grew up listening to their recordings, and especially admired not only their gorgeous sound, but also the uncanny interaction among all four players, even when there were changes in personnel. They had a way of playing as if they were speaking to each other, expressing deep and sometimes complicated feelings.
The Mendelssohn Club Chorus, the Philadelphia Boys Choir, and The Chamber Orchestra of Philadelphia are set to perform at the Cathedral Basilica of Saints Peter and Paul in a very special concert that includes the world premiere of Robert Moran’s expanded - and haunting - 9/11 tribute, Trinity Requiem.
The Philadelphia Inquirer's David Patrick Stearns looks ahead to the October 21st event, that also features Bruckner's Mass in E minor and Moran's Angele Dei.
WRTI's Susan Lewis speaks with The Philadelphia Orchestra's principal flute, Jeffrey Khaner; principal clarinet, Ricardo Morales; and principal trumpet, David Bilger about their new online teaching venture.
Classical music is a complex art form, and learning an instrument well takes not only talent but many hours, days, and years of lessons and practice. While the talent necessary to play an orchestral instrument hasn’t changed much over the years, today, Internet and video technology are offering new ways of teaching and learning an instrument, with the potential to connect large numbers of students with some of the best musicians in the world.