It's all spontaneous fun this weekend on Now Is the Time, Saturday, May 23rd at 9 pm. Paavo Järvi conducts a substantial orchestral work by Charles Coleman, Streetscape, then Patrick Beckman plays his own Funky, from his all-piano CD Street Dance. On the CD Dream Streets violinist/composer Cornelius Duffalo performs with an imaginative use of electronics; we'll hear introduction and cosmic clouds.
From a piano concerto whose movements are all in the key of D, Stefania de Kenessey has assembled a solo piano work Spontaneous D-Combustion. Charles Coleman returns with another Järvi, Kristjan, conducting his Absolute Ensemble in Young Worlds.
When traveling, some take the main routes - the safe, predictable, comforting roads. But others eschew the main routes, venturing off the beaten path. They're curious where the "roads less traveled" can lead them, and excited to share the discoveries most may not know about. This describes the Duo Gazzana, pathbeaters who say it's the trip that counts, not just the destination.
Listening to Joanna Pascale sing is like getting a big hug. Her voice is warm, wise and easy to love. The Philly native has put out fine solo albums previously, but nothing like Wildflower, a deeply-felt record that freely mixes pop tunes, blues, and outlier standards.
This past January 27th would have been Wolfgang Amadeus Mozart's 259th birthday. To celebrate, virtuoso violinist and Crossover favorite, Rachel Barton Pine, released a CD of his five violin concertos.
Yannick Nezet-Seguin conducts works by Haydn, Beethoven, and Vaughan Williams on this Sunday's Philadelphia Orchestra in Concert broadcast - a live concert recording from March, 2015 at Verizon Hall.
You'll hear one of Haydn’s most ambitious essays, the Symphony No. 92, known as the “Oxford” because he conducted a performance at the illustrious University in July 1791, when he was awarded an honorary Doctor of Music.
Join us this Sunday, May 10th, for WRTI's Philadelphia Orchestra in Concert broadcast, which pairs the music of Philadelphia’s own Jennifer Higdon, one of today’s leading composers, with one of her personal favorites: Claude Debussy.
This past season, the Chamber Orchestra of Philadelphia celebrated its 50th anniversary. Started as the Concerto Soloists in 1964, by then-Music Director Marc Mostovoy as a way for audiences to hear Baroque and Classical chamber works, and to provide performance opportunities for young professional musicians emerging from the Curtis Institute of Music and other regional training programs, the ensemble's reputation has only grown stronger over the years.
British pianist Peter Donohoe has been a guest soloist with Philadelphia's Renaissance, Baroque and Classical chamber ensemble, Vox Ama Deus, for several years - performing in one concert per season. Valentin Radu, music director of the ensemble, told us that audiences have loved Donohoe's performances so much, that he asked him to perform in two concerts this season.
We can almost see the music on Now Is the Time, Saturday, May 2nd at 9 pm. Robert Moran took snippets of words from a 30-year correspondence with John Cage and worked them into this delicious three-part work for chorus, Seven Sounds Unseen.
Nicolas Scherzinger spins musical motifs within a chamber ensemble and imagines what they would sound like if held up to Fractured Mirrors. The particular sand of the Gobi Desert, they say, sings when the wind blows a certain way. Bright Sheng conducts two ensembles in The Singing Gobi Desert, Music from China and the Prism Saxophone Quartet, with whom he imagines hearing the sand and viewing a mirage—the archetype of seeing and not-seeing.