Classical composer Michael Daugherty writes music about ideas, people, and places from popular culture. As WRTI’s Susan Lewis reports, his works invite listeners to engage with the music through their own experiences.
One of the highlights of this Philadelphia Orchestra season took place in late March, when Carol Jantsch, Principal Tuba of the Philadelphia Orchestra since 2006, stood front and center on the Verizon Hall stage to perform as soloist in a work written for her – Michael Daugherty’s Reflections on the Mississippi. Janstch premiered the work two years ago, a piece that Daugherty calls “a musical reflection on family trips to the Mississippi River during my childhood.”
There are very few tuba concertos in the classical repertoire - Ralph Vaughn Williams' 1954 work is among a handful. But, as WRTI’s Susan Lewis reports, a new addition explores the largely untapped lyricism of the instrument.
Classical covers pop on Now Is the Time, Saturday, October 4th at 9 pm at wrti.org and WRTI-HD2. Cellist Maya Beiser's new CD Uncovered ranges over the landscape of hits with aggressive yet nuanced playing. The arrangements are by composer Evan Ziporyn; Led Zeppelin's Kashmir and Nirvana's Lithium get a workout here. Michael Daugherty brings a high-powered wind band to the house for Motown Metal.
The string quartet has its say in two works. Paul Schoenfeld imagined, in Four Music Videos, what MTV was all about, having admitted he'd never watched it, and creates magic. Jeremy Cohen's arrangement of Duke Ellington's The Mooche for his Quartet San Francisco makes you feel that the Duke wrote this just for them. Those slinky chords are so etched in our minds, all composers must wish they'd thought of them first.
Maybe this weekend you're traveling with Now Is the Time, Saturday, August 30th at 9 pm. We start with City Columns for orchestra by Shawn Crouch, and then go way, way out with Michael Daugherty's percussion concerto UFO. Evelyn Glennie solos, sometimes on unidentified pieces of metal, in the work that's all about Roswell and Area 51 and improvising in front of a large wind ensemble.
It's also the time of year for going back to school, and Matthew McCabe remembers his first music teacher in Everything Must Be Beautiful. The homage uses her voice, together with electronically processed sounds, in glorious, retro, two-channel tape. Whether you're here or far, far away (we stream online!), and whether you study, teach, work, or rest, have a great weekend!
from ensemble, et al.: No Matter How Fast You Run Today, you will Never Catch up to Tomorrow
Julius Caesar had better watch his back on Now Is the Time, Saturday, March 15th at 9 pm at wrti.org and WRTI-HD2. Brutus doesn't show up, but look out for the Silver Dagger of Stacy Garrop, an Appalachian somebody-done-somebody-wrong song. Eric Moe channels comic-book philosophy of "they said it couldn't be done" in Dead Elf Tugboat, and Andy Teirstein throws a bright light on fate with the narrated drama The Shooting of Dan McGrew.
Michael Daugherty's Dead Elvis romps through one corner of pop culture, and Dan Visconti's Lawless Airs through another, with a violin accompanied by a harp sounding like a broken guitar played by a cowboy. The percussion quartet ensemble, et al. cautions with No Matter How Fast You Run Today, you will Never Catch up to Tomorrow, Joshua Rosenblum offers a tonic to the Ides with Forward March, and Mark Zuckerman clears the air of fate with the canon, Grant Us Peace.