The Metropolitan Opera

The Metropolitan Opera's hit production of Georges Bizet's Carmen stars Anita Rachvelishvili, who made a sensational Met debut in the title role in 2010. "With her smoldering, earthy sexuality, she is ideal for the role" of the sultry gypsy (New York Times).

Nikolai Schukoff sings Don José, the soldier whose doomed love for Carmen destroys them both. Ekaterina Scherbachenko is the loyal Micaëla and Dwayne Croft sings the swaggering bullfighter Escamillo. Michele Mariotti conducts. Saturday, February 23, *12:30 to 5 pm (note early start time).

Anna Netrebko and Matthew Polenzani star in one of the greatest comic gems in opera, as the fickle Adina and her besotted Nemorino. Mariusz Kwiecien is the blustery sergeant Belcore and Erwin Schrott sings Dulcamara, the loveable quack and dispenser of the elixir. Maurizio Benini conducts. Saturday, February 9th, 1 to 4 pm


Kristine Opolais made “a spectacular Met debut” (New York Post). As Magda, she “brought creamy sound, pliant phrasing and floating high notes” to Puccini’s La Rondine. “A lovely woman and an affectingly natural actress, she has a plush voice with a throbbing richness that lends a touch of poignancy to every phrase she sings (New York Times).

David Zobel

Joyce DiDonato's performance in the title role of Mary, Queen of Scots, "will be pointed to as a model of singing," full of  "plush richness and aching beauty," in this Met premiere production. Elza van den Heever is "a vocally burnished and emotionally tempestuous" Elizabeth (New York Times). Matthew Polenzani sings Leicester and Maurizio Benini conducts.

Saturday, January 19th, 1 to 4 pm.
Gaetano Donizetti: Maria Stuarda

Ken Howard / The Metropolitan Opera

Giuseppe Verdi's Il Trovatore returns to the Met in a revival the New York Times calls "rousing, satisfying, truly fun." Verdi’s intense melodrama includes some of the composer’s most memorable music. Patricia Racette is in the role of Leonora, Marco Berti sings Manrico, and Alexey Markov is the Count, with star mezzo Stephanie Blythe as the deadly gypsy Azucena. Saturday, January 12, 1 to 4 pm.

A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco Opera Association


The Met offers a rare opportunity to hear Hector Berlioz’s vast epic, last performed at the Met in 2003. Deborah Voigt, Susan Graham, Bryan Hymel, and Dwayne Croft lead the starry cast, portraying characters from the Trojan War. Met Principal Conductor Fabio Luisi marshals the large-scale musical forces. Susan Graham's tones were burnished, her acting impassioned.

The New York Times calls Thomas Adès’s masterpiece “one of the most inspired, audacious and personal operas to have come along in years….and offers a superb cast, headed by the charismatic baritone Simon Keenlyside… Ariel is a dazzling creation and Audrey Luna conquers the role…Adès drew a textured, glittering and suspenseful account of his opera from the great Met orchestra.” The Financial Times lauds the performance’s “rare virtuosity… Keenlyside sang with sensitive force… [and] loomed and brooded magnetically.” The Associated Press praises Adès’s “magical score

The Barber of Seville is a rollicking comedy classic the entire family can enjoy. This holiday entertainment is razor-sharp, stylishly-sung (in English!) and just two hours long. The charming and irresistible cast of young stars includes Isabel Leonard as the lovely Rosina, Alek Shrader as the Count who woos her, and Rodion Pogossov as the conspiring barber. Saturday, December 22, 1 to 3 pm.

Conductor: Yves Abel
Rosina: Isabel Leonard
Count Almaviva: Alek Shrader
Figaro: Rodion Pogossov

The Met Opera: Verdi's AIDA on Dec. 15th at 1 pm

Dec 12, 2012

The Met’s unforgettable production of Verdi’s ancient Egyptian drama stars Liudmyla Monastyrska as the enslaved Ethiopian princess caught in a love triangle with the heroic Radamès, played by Carl Tanner and Roberto Alagna, and the proud Egyptian princess Amneris, sung by Dolora Zajick and Olga Borodina. Fabio Luisi conducts this revival.

A love triangle turns deadly in Verdi's A Masked Ball. Conspirators want the Swedish monarch Gustav III dead — and suspected adultery plays right into their murderous plans. The king is in love with his best friend's wife, and she's in love with him. Desperate to extinguish her ardor, she turns to a sorceress for help, but too late! The secret's out and a devastated husband takes his revenge.

Verdi is at the peak of his musical and dramatic genius as he delves deeply into the psyches of three people who love, yet destroy, each other.