Soprano Anita Hartig made her Metropolitan Opera debut this week as Mimì in Puccini's classic work, La Boheme. If singing one of opera's most iconic roles at America's foremost opera house is not pressure enough, the Romanian soprano will also be performing for millions in movie theaters around the world in theMet Live in HD series, and on the radio via the Metropolitan Opera's Saturday Matinee B
German soprano Diana Damrau stars as Amina opposite the rising Mexican tenor and bel canto specialist Javier Camarena as Elvino in Bellini’s sweet love story, with its unforgettable sleepwalking aria for the heroine. Marco Armiliato conducts. Vincenzo Bellini: LA SONNAMBULA (sung in Italian), Saturday, March 29, 1 to 4:30 pm on WRTI 90.1 FM.
Jonas Kaufmann stars in the title role of Massenet's sublime adaptation of Goethe's revolutionary and tragic romance, opposite Sophie Koch as Charlotte. Rising young maestro Alain Altinoglu conducts.
Werther is "another success for Mr. Kaufmann, currently the most in-demand, versatile and exciting tenor in opera... Mr. Kaufmann is ideal in the role. He sings with dark colorings, melting warmth, virile intensity and powerful top notes." (New York Times)
Sophie Koch, "in her overdue Met debut... brings a plush, strong voice and aching vulnerability to Charlotte... [She] sang with gleaming intensity." (New York Times)
"Alain Altinoglu led a beautifully restrained account of the score, drawing supple, deep-textured and nuanced playing from the Met orchestra." (New York Times)
This week, we're back at our usual 1 pm start time! Tune in for the Met’s delightful Baroque fantasy THE ENCHANTED ISLAND. The opera returns after its critically acclaimed world-premiere run in 2011–12, bringing together the music of Handel, Vivaldi, Rameau, Purcell, and other composers, set to a brilliant new English libretto inspired by Shakespeare’s The Tempest and A Midsummer Night’s Dream.
There's an early start time for Saturday's Met Opera broadcast - it's 12 noon, an hour earlier than usual. This week, the Met Opera presents Alexander Borodin's defining Russian epic, PRINCE IGOR. Famous for its Polovtsian Dances, the opera comes to the Met for the first time in nearly 100 years. Dmitri Tcherniakov’s new production is a brilliant psychological journey through the mind of its conflicted hero, with the founding of the Russian nation as the backdrop.
Few opera singers' careers begin with Daniel Barenboim telling them to prepare the title role for a season-opening new production of Carmen at La Scala. Yet this was how the Georgian mezzo soprano Anita Rachvelishvili got her big break in 2009.
She had been in a young singers' training program at the storied Milan opera house when Barenboim recognized her potential, and cast her as the iconic, red-dressed, raven-haired heroine.
It’s love hidden, proclaimed, delayed, found...and love not to be. Richard Strauss' bittersweet romantic comedy Der Rosenkavalier(The Knight of the Rose) features a superb ensemble led by Viennese soprano Martina Serafin in one of her signature roles, the Marschallin. Mezzo-soprano Alice Coote sings the trouser role of the Marschallin’s young lover, Octavian, while soprano Erin Morley is Sophie, the innocent young woman who comes between the two.
The great Renée Flemingreturns to one of her signature roles, singing the enchanting “Song to the Moon” in Dvorák’s soulful fairy-tale opera. Tenor Piotr Beczala co-stars as the Prince, Dolora Zajick is Ježibaba, and our very own Philadelphia Orchestra maestro Yannick Nézet-Séguin is on the podium. Saturday, February 8, 1 to 5 pm on WRTI.
Singing at The Metropolitan Opera rarely means just returning to "business as usual." But - for soprano Renee Fleming, the worldwide audience for the February 8th Met Opera radio broadcast and HD simulcast in which she stars will be small change compared to the millions who watched her recent pre-Super Bowl performance.
Soprano Anna Netrebko reprises her adorable Adina in this charming production of Gaetano Donizetti’s tender comedy. Acclaimed tenor Ramón Vargas is the love-struck Nemorino, and Erwin Schrott sings the likeable quack Dulcamara, whose "magic" potion causes as many problems as it solves, and maps the destiny of a love triangle involving a lovable bumpkin, a dashing sergeant, and a bewitching town flirt.
L'Elisir d'Amore (The Elixir of Love) includes the heartbreaking aria "Una furtiva lagrima."