The Metropolitan Opera

Ken Howard

Join us for a live broadcast of Verdi’s Un Ballo in Maschera (A Masked Ballroom Dance), conducted by Met Music Director James Levine. This is Maestro Levine's first network broadcast of this opera since 1997. Piotr Beczala makes a network role debut as the self-destructive King Gustavo III of Sweden, opposite Sondra Radvanovsky as Amelia, the woman he loves.

Metropolitan Opera Chorus Master Donald Palumbo knows voices, and how to instruct singers to protect them.

Palumbo says that all singers have to monitor their voices while rehearsing during the day. The goal, he says, is to insure singers are at their "freshest" and "most solid" for the evening performance.

Join us for The Metropolitan Opera's live broadcast of opera’s most enduring, tragic double bill. Marcelo Álvarez rises to the challenge of playing the dual tenor roles of Turiddu in Mascagni’s Cavalleria Rusticana and Canio in Leoncavallo’s Pagliacci. Eva-Maria Westbroek (Cav) and Patricia Racette (Pag) are the unlucky heroines, and George Gagnidze sings both Alfio and Tonio.

Ken Howard

Join us this Saturday for a rare revival of Dmitri Shostakovich’s searing drama Lady Macbeth of Mtsensk, heard in an archived Met Opera performance from November. Shostakovich’s towering tragedy of adultery and murder stars the commanding dramatic soprano Eva-Maria Westbroek as the heroine who suffers the vicissitudes of her treachery. Brandon Jovanovich is her co-conspirator and lover, and James Conlon conducts. Saturday, April 18, 1 to 4:15 pm on WRTI.

Ken Howard

Join us on Saturday, April 11th for our weekly broadcast of the Metropolitan Opera - live from Lincoln Center. This week, it's Verdi's DON CARLO, with Yannick Nezet-Seguin on the podium.

Ferruccio Furlanetto first sang Philip with the Met in 2005, and then again in 2010 and 2013, and has portrayed the tormented monarch around the world. His other recent roles at the Met have included Silva in Verdi’s Ernani, and Jacopo Fiesco in Simon Boccanegra, which he will reprise at the Met next season.

Marty Sohl

Join us for a live broadcast of Giussepe Verdi’s early opera Ernani. Met Music Director James Levine conducts his first company performances of the opera in more than 30 years, with Plácido Domingo as Carlo, King of Spain – a baritone part he has added to his vast repertoire this season.

Joyce DiDonato and Juan Diego Flórez join forces for this Rossini showcase of bel canto virtuosity, set in the medieval Scottish highlands. DiDonato is the “lady of the lake” of the title, and Flórez is the king who relentlessly pursues her, with their vocal fireworks embellishing the tragic plot. This Met premiere production is conducted by Michele Mariotti. Saturday, March 14, 1 to 4:30 pm on WRTI.

Gioachino Rossini: La Donna del Lago

Tenor Vittorio Grigolo sings the title role of Hoffmann, the tortured poet and unwitting adventurer who is looking for love in Jacques Offenbach's Les Contes d'Hoffmann, a fantasy opera based on three short stories by E. T. A. Hoffmann. The libretto was written by Jules Barber; the opera was first performed in 1881 in Paris. Saturday, January 31, 1 to 4:30 pm on WRTI.

One of the most-beloved opera arias is The Tales of Hoffmann's Barcarolle, Belle nuit, ô nuit d'amour:

Marco Borggreve

Franco Zeffirelli’s classic take on Puccini’s most popular opera, the immortal tale of tragic young love, is set among the rooftops of bohemian Paris. Soprano Kristine Opolais sings the role of the fragile Mimì, with Jean-François Borras as the love-sick poet Rodolfo. Riccardo Frizza conducts. Puccini's La Boheme, Saturday, January 24, 1 to 4 pm.

Do you know the astonishing story about how Kristine Opolais made history at The Met? Read about it here!

Over the weekend, soprano Kristine Opolais sang her heart out — and died twice.

Friday evening she had sung the lead in Puccini's Madama Butterfly. It was her debut in that role at the Metropolitan Opera in New York. It was a big deal. Opolais was so excited about it that she stayed up until five the next morning.

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