The Metropolitan Opera

Philadelphia tenor Stephen Costello has survived tonsil surgery, reflux, and most recently, the Metropolitan Opera's super-glitzy, Las Vegas-style production of Rigoletto. The morning after opening night, he took stock of it all with The Philadelphia Inquirer's David Patrick Stearns.

It was 30 years ago today that a single American hostage was killed by terrorists during the hijacking of a cruise ship by pro-Palestinian terrorists in the Mediterranean Sea. Leon Klinghoffer's death was the inspiration for a controversial opera, The Death of Klinghoffer, composed by John Adams, with a libretto by Alice Goodman and directed by Peter Sellars.

Ron Berard/Metropolitan Opera

The Metropolitan Opera changed the face of theatergoing nearly a decade ago with  high-definition simulcasts in movie theaters using a technology associated more with rock concerts and boxing matches than opera. What has the competition done to companies such as Opera Philadelphia? The Philadelphia Inquirer's David Patrick Stearns talks to both sides.

The Metropolitan Opera

We're very sad to report that longtime Metropolitan Opera Radio Host Margaret Juntwait died this morning, June 3rd. Below is a statement just released by the Met Opera:

The Metropolitan Opera mourns the death of our radio host Margaret Juntwait, who passed away this morning after a long battle with ovarian cancer. For millions of listeners around the world, Margaret was the voice of the Met for the past decade.

Marty Sohl

The 2014-15 Metropolitan Opera Radio Broadcast season concludes with a broadcast of a 20th-century masterpiece, Igor Stravinsky’s only full-length opera, The Rake’s Progress.

It’s an English opera composed in Hollywood by a Russian. Igor Stravinsky saw the paintings and engravings by the 18th-century William Hogarth, depicting the consequences of loose living and licentiousness, centered on the fictional Tom Rakewell.

The English W. H. Auden and the American Chester Kallman then created a libretto that introduced a new character, Nick Shadow—the Devil—who entices Tom with promises of happiness and money. Tom loses everything, and ends up, literally, in Bedlam, the insane asylum, with the faithful Anne Trulove by his side.

Ken Howard

Join us for a live broadcast of Verdi’s Un Ballo in Maschera (A Masked Ballroom Dance), conducted by Met Music Director James Levine. This is Maestro Levine's first network broadcast of this opera since 1997. Piotr Beczala makes a network role debut as the self-destructive King Gustavo III of Sweden, opposite Sondra Radvanovsky as Amelia, the woman he loves.

Metropolitan Opera Chorus Master Donald Palumbo knows voices, and how to instruct singers to protect them.

Palumbo says that all singers have to monitor their voices while rehearsing during the day. The goal, he says, is to insure singers are at their "freshest" and "most solid" for the evening performance.

Join us for The Metropolitan Opera's live broadcast of opera’s most enduring, tragic double bill. Marcelo Álvarez rises to the challenge of playing the dual tenor roles of Turiddu in Mascagni’s Cavalleria Rusticana and Canio in Leoncavallo’s Pagliacci. Eva-Maria Westbroek (Cav) and Patricia Racette (Pag) are the unlucky heroines, and George Gagnidze sings both Alfio and Tonio.

Ken Howard

Join us this Saturday for a rare revival of Dmitri Shostakovich’s searing drama Lady Macbeth of Mtsensk, heard in an archived Met Opera performance from November. Shostakovich’s towering tragedy of adultery and murder stars the commanding dramatic soprano Eva-Maria Westbroek as the heroine who suffers the vicissitudes of her treachery. Brandon Jovanovich is her co-conspirator and lover, and James Conlon conducts. Saturday, April 18, 1 to 4:15 pm on WRTI.