Maurice Ravel

This Sunday, January 22nd, at 1 pm, newly appointed music director of the National Symphony, Gianandrea Noseda conducts The Philadelphia Orchestra in a program that whirls from dance to jazz to Beethoven.

Finding Jazz in Maurice Ravel's Piano Concerto

Jan 16, 2017

It was the late 1920s when French composer Maurice Ravel first heard jazz in the United States and in Paris, where it was also popular. How did it influence his 1931 Piano Concerto in G Major? WRTI’s Susan Lewis has more.

Credit: Benjamin Ealovega

Beethoven’s Seventh Symphony highlights The Philadelphia Orchestra in Concert re-broadcast on WRTI this Sunday, November 6th at 1 pm, but there’s so much more. The Violin Concerto of John Williams and Ravel’s well-loved Pavane round out a brilliant program conducted by the Orchestra’s Principal Guest Conductor Stéphane Denève.

All three of the works on this Sunday’s Philadelphia Orchestra in Concert re-broadcast were composed in Paris within a five-year period (1928-33), one by a German, another by a Frenchman, and the last by an American. And they all marvelously combine elements of serious composition with popular influences, notably from jazz.


Join us on Sunday, July 10th from 1 to 3 pm for a re-broadcast of The Philadelphia Orchestra's first concert of the 2015/2016 season. If you coudn't make it to Verizon Hall back in the fall of last year, listen to Yannick Nézet-Séguin lead the Philadelphians in works by Rachmaninoff, Ravel, and Rimsky-Korsakov with pianist Daniil Trifonov on WRTI.

WRTI's Mark Pinto fills us in on the latest classical music CDs Saturdays at 5 pm on Classical New Releases. Here are five newly released recordings he recommends:

One popular work in the orchestral repertoire was written by a Russian composer and then orchestrated decades later by a Frenchman. As WRTI's Susan Lewis reports, this version had its first performance in October, 1922 in Paris. The music describes a stroll through the gallery - a promenade - with ten specific images brought to life.

Lisa-Marie Mazzucco

Simone Dinnerstein's latest CD Broadway-Lafayette is named after the subway stop in New York City. But, as Dinnerstein explains in her most recent visit to Crossover, there is an ulterior motive at play in the title - the relationship of America and France, dating back to the American Revolution, when the Marquis de Lafayette helped American colonists send the British back across the Atlantic licking their wounds.  And there is yet another undercurrent in the theme of American and French relationships - that of the composers on the recording.

Two French composers, who wrote and circulated in the same artistic circles, are still being explored and considered together today. Now, in advance of this week’s concert broadcast of The Philadelphia Orchestra on WRTI, Susan Lewis looks at two masterworks that conjure imagery – one on the land, and one on the sea.

Join WRTI in welcoming the Lancaster Symphony Orchestra to Encore! In this first broadcast it's a mostly French program, with a little Gershwin for good measure.  We'll hear Music Director Stephen Gunzenhauser conduct Roussel's Bacchus et Ariadne Ballet Suite, the Suite No. 2 from Maurice Ravel's masterful Daphnis et Chloe, and George Gershwin's An American in ParisThis Sunday, September 16th, 3 to 5 pm.

Pages