Maestro Noseda speaks with WRTI's Debra Lew Harder.
This Sunday, January 22nd, at 1 pm, newly appointed music director of the National Symphony, Gianandrea Noseda conducts The Philadelphia Orchestra in a program that whirls from dance to jazz to Beethoven.
It was the late 1920s when French composer Maurice Ravel first heard jazz in the United States and in Paris, where it was also popular. How did it influence his 1931 Piano Concerto in G Major? WRTI’s Susan Lewis has more.
Beethoven’s Seventh Symphony highlights The Philadelphia Orchestra in Concert re-broadcast on WRTI this Sunday, November 6th at 1 pm, but there’s so much more. The Violin Concerto of John Williams and Ravel’s well-loved Pavane round out a brilliant program conducted by the Orchestra’s Principal Guest Conductor Stéphane Denève.
Listen to WRTI's Susan Lewis speak with violin soloist, James Ehnes.
All three of the works on this Sunday’s Philadelphia Orchestra in Concert re-broadcast were composed in Paris within a five-year period (1928-33), one by a German, another by a Frenchman, and the last by an American. And they all marvelously combine elements of serious composition with popular influences, notably from jazz.
Yannick Nézet-Séguin speaks with WRTI's Susan Lewis.
Join us on Sunday, July 10th from 1 to 3 pm for a re-broadcast of The Philadelphia Orchestra's first concert of the 2015/2016 season. If you coudn't make it to Verizon Hall back in the fall of last year, listen to Yannick Nézet-Séguin lead the Philadelphians in works by Rachmaninoff, Ravel, and Rimsky-Korsakov with pianist Daniil Trifonov on WRTI.
Listen to Susan Lewis' conversation with Yannick Nézet-Séguin.
Listen to the radio story about 'Pictures at an Exhibition,' written by Modest Mussorgsky as a piano suite in 1874, orchestrated by Maurice Ravel in 1922.
Conductor Tugan Sokhiev spoke with WRTI's Susan Lewis in March of 2014, when he was conducting The Philadelphia Orchestra in a program that included Mussorgsky's 'PIctures at an Exhibition,' as orchestrated by Ravel.
One popular work in the orchestral repertoire was written by a Russian composer and then orchestrated decades later by a Frenchman. As WRTI's Susan Lewis reports, this version had its first performance in October, 1922 in Paris. The music describes a stroll through the gallery - a promenade - with ten specific images brought to life.
Simone Dinnerstein's latest CD Broadway-Lafayette is named after the subway stop in New York City. But, as Dinnerstein explains in her most recent visit to Crossover, there is an ulterior motive at play in the title - the relationship of America and France, dating back to the American Revolution, when the Marquis de Lafayette helped American colonists send the British back across the Atlantic licking their wounds. And there is yet another undercurrent in the theme of American and French relationships - that of the composers on the recording.
Two French composers, who wrote and circulated in the same artistic circles, are still being explored and considered together today. Now, in advance of this week’s concert broadcast of The Philadelphia Orchestra on WRTI, Susan Lewis looks at two masterworks that conjure imagery – one on the land, and one on the sea.
Join WRTI in welcoming the Lancaster Symphony Orchestra to Encore! In this first broadcast it's a mostly French program, with a little Gershwin for good measure. We'll hear Music Director Stephen Gunzenhauser conduct Roussel's Bacchus et Ariadne Ballet Suite, the Suite No. 2 from Maurice Ravel's masterful Daphnis et Chloe, and George Gershwin's An American in Paris. This Sunday, September 16th, 3 to 5 pm.