A work originally written for piano has become a staple of the orchestral repertoire. As WRTI’s Susan Lewis reports, the most well-known version combines the mastery of two composers from different generations - one Russian, and one French.
Two French composers, who wrote and circulated in the same artistic circles, are still being explored and considered together today. Now, in advance of this week’s concert broadcast of The Philadelphia Orchestra on WRTI, Susan Lewis looks at two masterworks that conjure imagery – one on the land, and one on the sea.
Join WRTI in welcoming the Lancaster Symphony Orchestra to Encore! In this first broadcast it's a mostly French program, with a little Gershwin for good measure. We'll hear Music Director Stephen Gunzenhauser conduct Roussel's Bacchus et Ariadne Ballet Suite, the Suite No. 2 from Maurice Ravel's masterful Daphnis et Chloe, and George Gershwin's An American in Paris. This Sunday, September 16th, 3 to 5 pm.
Some people are intimidated by the vastness of classical music. And while the prospect of more than 1,000 years of hits to consider may be daunting, just think instead of how many musical journeys of discovery can be made.
This time, he’d show them. The Paris Conservatoire accepted Ravel as a piano student at age 16, and even though he won a piano competition, more than anything he wanted to compose. But the Conservatory was a hard place. He never won the fugue prize, never won the composition prize, never won anything for writing music and they sent him packing. Twice. He studied with the great Gabriel Fauré, in school and out, but he just couldn’t make any headway with the ruling musical authorities.