American Masters is the title of a recently released CD, referring to the composers and works that appear on the disc. But the term can just as easily be applied to the performer - violinist Anne Akiko Meyers.
Anne is no stranger to Crossover listeners, and we're lucky to be able to speak with her whenever something new is on her horizon, which winds up being quite frequently. This time around, she introduces us to one of today's bright lights in the composing world, Mason Bates.
It's sound, brand-new and fantastical, on Now Is the Time, Saturday, August 2nd at 9 pm at wrti.org and WRTI-HD2. Mason Bates intersects electronica pop rhythm with indigenous percussion in Stereo Is King, while Prism by Charles Peck combines a percussion quartet with an electronic touch-pad instrument of his own invention, at Philadelphia's University of the Arts.
Violin mashes into a surprisingly romantic Fantasy for Violin and Electronics by James Aikman, Barton McLean unleashes the hounds in Demons of the Night, and up in Woodstock, David van Tieghem wrote, recorded, and produced the quirky Waiting for the Gizmo—No. 1. Ambient Pastels of Larry Kucharz waft through the rest of the program.
It's a blast from the past on Now Is the Time, Saturday, May 24th at 9 pm at wrti.org and WRTI-HD2. David Del Tredici threw over his cutting-edge training in 12-tone music for his aggressively tonal "Alice" pieces, works based on Alice in Wonderland. In looking back, you might say, he never looked back from then on; some have called him the first neo-Romantic. Vintage Alice is a chamber opera for one singer, and it's delightfully quirky, just like Lewis Carroll.
Physicist Richard Feynman was known for his humor as much as his smarts; Michael Gandolfi captures both in the large choral/orchestral work Q.E.D.: Engaging Richard Feynman. From Hilary Hahn's CD of encores is Ford's Farm by Mason Bates. We see the horse & buggy giving way to the first automobile in this fun, fiddling excursion: Call it a short ride in slower machines.