Soprano Barbara Hannigan's conversation with WRTI's Susan Lewis.
Simon Rattle will be on the podium this Sunday at 2 PM for a performance from late May of Beethoven’s "Pastoral" Symphony, with its vivid scenes of gathering thunderstorms, wandering brooks, and breezy country sides.
We’ll also hear Webern's Passacaglia and three fragments from Alban Berg's shattering opera Wozzeck, both of which received their U.S. premieres in Philadelphia as part of Stokowski's vision for 20th-century music.
Soprano Barbara Hannigan, in her Philadelphia Orchestra debut, will perform scenes from Ligeti's thrilling opera, Le Grande Macabre, in character as the Chief of the Secret Political Police. Her performance, vocally, dramatically, and comically, was one of the highlights of the season!
During intermission, Susan Lewis's interview with the versatile and supremely gifted Barbara Hannigan is not to be missed! Gregg Whiteside is host and producer. That's this Sunday, September 8th from 2 to 4 PM.
A new book, a new recording and some old instruments, all addressing the most memorable phrase in music: the opening of Beethoven's Fifth Symphony.
Matthew Guerrieri has written a book about this symphony, called The First Four Notes: Beethoven's Fifth and the Human Imagination. Guerrieri writes about how Beethoven's piece resonated with everyone from revolutionaries to Romantics, and German nationalists to anti-German resistance fighters.
Beethoven is in the air! The Philadelphia Orchestra, with The Philadelphia Singers and soloists, including AVA's Margaret Mezzacappa, wowed the audience at the Mann Center last Wednesday night with an intense performance of Beethoven's 9th symphony. WRTI's Susan Lewis explores the life and work of one of the world's most influential composers.
WRTI's Jill Pasternak speaks with violinist Tom Stone and cellist Jennifer Kloetzel from the Cypress String Quartet about their new CDs - The American Album and the three-volume set Beethoven's Late Quartet.
This week, a conversation with the actor Ed Harris. He's the star of a new Copying Beethoven, a fictional retelling of the great composer's last years. Susan Lewis looks at how non-profits are reinventing commercial movie houses as neighborhood cinemas for art films and documentaries. We look at one man's collection of films and his efforts to share these celluloid treasures with the viewing public, many of which without him, would have vanished. Jason Peifer provides a glimpse into the Pig Iron Theater Company's process of developing new work.